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121. Re: Multi-byte characters in Lyrics (score: 2)
Author: HIDDEN
Date: Fri, 27 Oct 2017 11:49:59 +0200
Op 27 okt. 2017, om 10:18 heeft David Kastrup <address@hidden> het volgende geschreven: Maurits Lamers <address@hidden> writes: Hi, I cannot convert a multi-byte character to a symbol, unless I do so
/archive/html/lilypond-user/2017-10/msg00424.html (21,297 bytes)

122. Re: Multi-byte characters in Lyrics (score: 2)
Author: HIDDEN
Date: Fri, 27 Oct 2017 10:18:39 +0200
There is no symbol here whatsoever. That makes no sense. Oh, bit shifting? Probably for arriving at integers (rather than characters)? I was thinking of that but decided that sticking with single-cha
/archive/html/lilypond-user/2017-10/msg00422.html (8,272 bytes)

123. Re: Multi-byte characters in Lyrics (score: 2)
Author: HIDDEN
Date: Thu, 26 Oct 2017 16:48:27 +0200
Op 26 okt. 2017, om 16:19 heeft Thomas Morley <address@hidden> het volgende geschreven: 2017-10-26 15:15 GMT+02:00 Maurits Lamers <address@hidden>: Hi, I am writing an extension to lilypond to suppor
/archive/html/lilypond-user/2017-10/msg00400.html (26,626 bytes)

124. Re: Parallel Square Premusic (score: 2)
Author: HIDDEN
Date: Mon, 20 Mar 2017 20:34:19 +0100
But there have been statements like that for every discipline of science and arts a billion times over. It's almost a telltale sign where they lead when you just need someone else to figure out the u
/archive/html/lilypond-user/2017-03/msg00456.html (7,962 bytes)

125. Re: Write a custom backend? (score: 2)
Author: HIDDEN
Date: Wed, 14 Sep 2016 12:19:52 +0200
The Midi code is opaque, its data structures are closed and inaccessible from Scheme. Changes in Midi are programmed by very few people who actually are acquainted with the C++ code. That means that
/archive/html/lilypond-user/2016-09/msg00317.html (7,670 bytes)

126. Re: Lilypond for blind musicians (score: 2)
Author: HIDDEN
Date: Wed, 19 Feb 2014 11:06:46 +0100
How stupid of me! That wasn't Mark (who is well known amongst the -devel team), but someone named Michael Pozhidaev, whom we've seen just a few times: https://lists.gnu.org/archive/html/lilypond-user
/archive/html/lilypond-user/2014-02/msg00448.html (7,326 bytes)

127. Re: final touches to the score (score: 2)
Author: HIDDEN
Date: Sun, 12 May 2013 20:24:54 -0700
Attachment: final score.ly Description: Binary data I'm still having issues with the grace notes though. I don't know what's up there. Any help, please?
/archive/html/lilypond-user/2013-05/msg00413.html (11,831 bytes)

128. final touches to the score (score: 2)
Author: HIDDEN
Date: Sun, 12 May 2013 16:45:59 -0700
Ok. can someone please go over the score and correct what I missed? I think I missed some braces and misplaced some accent marks but please let me know if the notes are in the proper ranges of the in
/archive/html/lilypond-user/2013-05/msg00400.html (5,364 bytes)

129. Re: pizz and arco: a question (score: 2)
Author: HIDDEN
Date: Sun, 12 May 2013 13:43:08 -0700
Hey thank you thank you thank you for the mark up idea. It appears to have worked and didn't error out so I guess that's good. I can't wait to get this done. I'm sick of hearing this song over and ov
/archive/html/lilypond-user/2013-05/msg00394.html (5,955 bytes)

130. Re: pizz and arco: a question (score: 2)
Author: HIDDEN
Date: Sun, 12 May 2013 12:38:12 -0700
What does the ^ symbol mean again? I use the words as the table of symbols is an image only. I wrote about that some ware on this list a while ago. lol! I'll try the mbark up. I have slur marks. and
/archive/html/lilypond-user/2013-05/msg00392.html (6,253 bytes)

131. Re: pizz and arco: a question (score: 2)
Author: HIDDEN
Date: Sun, 12 May 2013 14:05:45 -0500
How about using \markup to write such information? c4^\markup "Pizz., 2nd time arco" d4 e4 f4 would put the directions above the staff; substituting an underscore for the carat would position the tex
/archive/html/lilypond-user/2013-05/msg00391.html (5,395 bytes)

132. pizz and arco: a question (score: 2)
Author: HIDDEN
Date: Sun, 12 May 2013 09:52:58 -0700
Ok. in braille music, I see the word "pizz "and i know until I see "arco" I have to pluc the string. In lily pond I don't want to put \pizz over every single note especially since with the \repeat vo
/archive/html/lilypond-user/2013-05/msg00386.html (4,895 bytes)

133. Re: multi measure rests (score: 2)
Author: HIDDEN
Date: Fri, 03 May 2013 23:30:43 +0200
Hi, I also have a question for you: You seem to use braille music output from LilyPond. Is that builtin in LilyPond? Could you (or anyone) point me to some documentation how to use that? I would like
/archive/html/lilypond-user/2013-05/msg00118.html (5,576 bytes)

134. Re: multi measure rests (score: 2)
Author: HIDDEN
Date: Fri, 3 May 2013 14:11:28 -0700
Possibally. Like I said I'm so new to lily pound and I'm trying to read the docs as best I could but sometimes the explanations are just a tad unclear. lol! and I'm trying to do my final assignment f
/archive/html/lilypond-user/2013-05/msg00117.html (8,012 bytes)

135. Re: MusicXML project platform (score: 2)
Author: HIDDEN
Date: Sat, 27 Apr 2013 12:01:52 +0200
Hey all, in case you hadn't noticed: last year at the Waltrop meeting Julien Lerouge started to work on a LilyPond to MusicXML converter using LilyPond-engravers (based on Jan Nieuwenhuizen's to-xml.
/archive/html/lilypond-user/2013-04/msg00814.html (9,470 bytes)

136. Re: MusicXML project platform (score: 2)
Author: HIDDEN
Date: Fri, 26 Apr 2013 19:30:48 -0400
I hear your concern, but as I understand it the music stream is the closest that the music data in LilyPond gets to the structure and level of abstraction of a MusicXML file. (MusicXML 1.0 included n
/archive/html/lilypond-user/2013-04/msg00809.html (7,861 bytes)

137. Re: articulation simbols (score: 2)
Author: HIDDEN
Date: Mon, 18 Mar 2013 20:07:36 -0700
in not I I OK, so is < Sorry for messing up the thread subject. One of the drawbacks of getting the emails in digest format is you have to change the subject when you reply. Tim Reeves
/archive/html/lilypond-user/2013-03/msg00838.html (8,168 bytes)

138. Re: \relative is not the best way of entering complicated music (score: 2)
Author: HIDDEN
Date: Tue, 12 Mar 2013 06:40:12 +0100
You don't need to use \relative if you are more comfortable with absolute pitches. -- David Kastrup
/archive/html/lilypond-user/2013-03/msg00598.html (7,753 bytes)

139. Re: \relative is not the best way of entering complicated music (score: 2)
Author: HIDDEN
Date: Mon, 11 Mar 2013 17:29:03 -0700
Ok. I suck at reading staff lines. I come from braille music where th eoctive signs are given to me and I sing or play badly the correct pitches based on the octave mark. I'll try and give this menta
/archive/html/lilypond-user/2013-03/msg00585.html (9,017 bytes)

140. Re: divisi parts and another general question (score: 2)
Author: HIDDEN
Date: Sun, 03 Mar 2013 07:45:24 +0100 (CET)
Hello Sarah! Roland's example is <c ees>4 <c ees> << { ees8. d16 } \\ b4 >> c I would format this as <c ees>4 <c ees> << { ees8. d16 } \\ { b4 } >> c4 | or maybe as <c ees>4 <c ees> << { ees8. d16 }
/archive/html/lilypond-user/2013-03/msg00157.html (8,364 bytes)


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