You can see with \void \displayLilyMusic \slurNeutral that \slurNeutral is not equivalent to \override Slur.direction = #0, but \revert Slur.direction, which reverts Slur.direction to its default val
I’ll have to play with this to see how I like it. The reason I initially wanted to mess with slurs was on the off chance that I later wanted to take the chant and turn it into a fully modern Thank
Dear list, after a long hiatus, I am now typing another piece for choir. But after I had finished the first voice, the document would not compile. I narrowed it down to the following MWE. See the com
They are intentionally technical. post-event is a literal text, SlurEvent would depend on the actual event in question. Note or chord or rest or skip or bass figure or cluster note or lyrics or multi
Risto, Looking at the .png, do you want a slur or a tie? I have tried two alterations (in 2.18.2): 1. Changing pitches to “g^ (a) b” and the number is positioned correctly. 2. Changing from a slu
I typed that string into google and the top hit was http://lilypond.org/doc/v2.19/Documentation/notation/modifying-shapes which is the page you've quoted from in this thread. The other hits on the fi
2016-05-24 22:24 GMT+02:00 Flaming Hakama by Elaine <address@hidden>: \shape is a very nice tool. This advantage inherits a disadvantage as well: other possibilities to tweak a slur are more and more
I'm sorry, I typoed the command both places: \slashedGrace { \slurUp e8( } d b) K. -- Kristin Rollins address@hidden Portsmouth, VA On Sun, Jan 24, 2016, at 09:08 AM, Kristin Rollins wrote: It worked
It worked for me to move the \slurUp command inside the \shlashedGrace, as in: \slashGrace { \slurUp e8( } d b) Kristin On Sun, Jan 24, 2016, at 08:51 AM, Ralph Palmer wrote: Hi, All - I'm running Ly
Hi Jurgen, welcome to this list and LilyPond! I will answer some of your questions but you'll surely get other responses as well. Am 05.10.2015 um 12:46 schrieb address@hidden: Hi all, I'm a complete
Hi, I am trying to make a slur not collide with an accidental. Reading the Learning Manual I find how to do: \override Slur.avoid-slur = #'inside or \override Accidental.avoid-slur = #'inside which d
014-11-16 18:41 GMT+01:00 Mike Solomon <address@hidden>: > On Nov 16, 2014, at 7:29 PM, Patrick Hubers <address@hidden> wrote: > > I'm having a situation where slurs and tuplet brackets are collidin
Try: \relative c'' { \once \override TupletNumber.avoid-slur = #'ignore \tuplet 3/2 { c,2( b'4) } r2 c,4( b') r2 } LilyPond will usually try to place the slur outside of a tuplet number, but in cert
Hello Abraham, Thanks a lot for these two solutions and the explanations! It’s often difficult for me as an amateur musician to distinguish between slurs and phrasing slurs when I read music. And l
Hello folks, I’ve been strugging to obtain the following, but couldn’t find any way to achieve it in the docs. Attached is a failed attempt. Thanks for your help! JM _____________________________
2014-05-02 9:19 GMT+02:00 Federico Bruni <address@hidden>: What's the correct way to notate this guitar hammer-on/pull-off? I want the slur to start from the 2 in TabStaff ( note A of the chord). I m
David, Please take a look at the .png screen capture and the .ly file. The "mf" was place inside and outside the slur. \version "2.17.95" \markup "with outside-staff-priority = #500............." \re
\version "2.17.95" \relative c { \override Slur.outside-staff-priority = #0 f16\mf( f a'8\p a8) } I play with #555. I change it to #0 (or #5) and it works. Question: what is the difference of # numbe
Binding the slur to the rest changes the end column of the point. Another idea would be a invisible end point: \score { \relative { \new Voice="1" b'32 c( b a g a b c d e f e g f e d
I have fiddled around with the settings some more and achieved better results, but the slurs still needed manual adjusting. Is there some way to make lilypond slurs more arched at the ends and flatte