The control-points property uses points relative to the start of the slur, unlike the attachment points which are relative to the beginning and end. The control-points values tend to be quite large,
Hi all, bonjour à tous. 1. How can I ajust the position of the beginning of the slur in the picture attached ? I tried to override the control-points property of the slur object but I couldn't find
Hi all, bonjour à tous. 1. How can I ajust the position of the beginning of the slur in the picture attached ? I tried to override the control-points property of the slur object but I couldn't find
Hello, I write a piece of Wagner, where there is many many slurs. To make them look better (without collision with staff lines, accidentals, other slurs and ties, to make them stick to notes) I use s
The snippet here correctly renders a slur between voices ... but, unfortunately generates clashing note column warnings in the process. Does anyone see a way to get the same result but without the cl
Bodo wrote: Ah, thanks. I didn't try to overlap the round and curly parentheses like that. I guess as a programmer I'm so used to strict hierarchical nesting relationships that this didn't even occur
OK, then you could try the next property in the list: \override Slur #'attachment-offset = #'((0 . -.5) 0 . -.5) If you do: \relative c'''{a8 b c d \acciaccatura {\slurUp f8} e a ... it turns out tha
Thorkil (et al.): \property Voice.Slur \set #'attachment-offset = #' ((1 . 0) 0 . 0) [...] You actually tell Lily to let the *beginning* of the slur start 1 *something* (I don't know if it's a millim
Hello to everybody! I have a feature request for Lilypond 1.5.61. Consider this file, where there is a multimeasure rest, followed by a slur that has not been properly opened: -- \score { \context St
I've added an example simplified from the lower staff to https://gitlab.com/lilypond/lilypond/-/issues/6445 This details override helps: \version "2.24.2" { \time 3/4 \clef bass \override S
Le jeudi 07 septembre 2023 à 17:42 -0700, Knute Snortum a écrit : I've added an example simplified from the lower staff to https://gitlab.com/lilypond/lilypond/-/issues/6445 This details override
I have music which I am engraving that has two alternatives, both having notes which end a phrasing slur. I get a warning (warning: cannot end phrasing slur) about the second phrased slur and, of cou
You are right that \shape is affecting only the first piece of the slur. All you need to do to adjust the second bit is to add a list of offsets for that part. Something like this: \shape #'(
Hi Molly, You are right that \shape is affecting only the first piece of the slur. All you need to do to adjust the second bit is to add a list of offsets for that part. Something like this: \shape #
The following code \relative c' { d4-^( e4 f4-.) r4 } produces a slur with all articulation marks “inside” the slur. Typically, however, articulation marks are supposed to go “outside” the fi
Hi, avoid-slur is the correct method: %#(ly:set-option 'debug-skylines #t) \score { { \time 12/8 \relative c' { a8 b\( c a b c d e f d e f g a b g a b c2. \once \override Script.avoid-slur = #'inside
Yep, playing with that parameter allowed me to tweak the note spacing to prevent the collisions. I also found that by tweaking a couple of the other parameters I could get a spacing effect that I li
Am Di., 16. Apr. 2019 um 23:45 Uhr schrieb Aaron Hill <address@hidden>: Hi Aaron, thanks a lot for this. I was aware of not going for the bezier-curve itself, but only for the control-points was a ra
Hi, The slur looks great and I was able to implement it for regular notes (the E and D in the example below). In my example though, I need the slur to be between the two notes labeled with fingering
Slur.details.free-head-distance will do what you want. Make it larger, and the slur will move away from the heads of the notes. HTH, Carl From: Kieren MacMillan <address@hidden> Date: Sunday, October