Re: \partcombine terribly broken

[Han-Wen Nienhuys]

address@hidden writes:
> 
> There's one situation I find curious though. The following scores have 
> different music but produce the same paper output:
> 
> \score {\notes \relative c'' \partcombine
> {g4 g a( b) c c r r}
> {g4 g r4 r  e e g g}}
> \score {\notes \relative c'' \partcombine
> {g4 g a( b) e, e r r}
> {g4 g r4 r  c  c g g}}
> 
> If I would have typeset the second score manually, I would have used 
> polyphony 
> notation for the <<e c>> notes, to mark that the c actually belongs to the 
> 'lower' part. (<c'' e'> suggests that the upper voice plays the c, while <<e' 
> \\ c''>> suggests that the lower voice plays the c)
> 
> I.e., I suggest an additional rule saying that polyphony notation should be 
> used instead of chord notation if the pitch of the second part is
> higher tha

I've changed this in CVS.

--
 Han-Wen Nienhuys   |   address@hidden   |   http://www.xs4all.nl/~hanwen