I tried all possible combination of numbers but
there is always a minimum distance between staves which I don't know how to
decrease.
I would like to print the attached music on a sinlge page without using a
font too small (say with a 16). The orginal is printed on a single A4 page
with a font size more or less like feta 16, with Lilypond I need two pages
instead, and there is a lot of room between staves.
This is concert piece so after all I may also keep it in 2 pages, but I
must
copy plenty of parade music and it is imperative that I am able to print a
piece on a sinlge A5 landscape sheet and with a decent font size because
it's music to be played while standing or even worse while walking:-)
Ciao
Renato
http://nightpassage.org
------------------------------------------------------------------------
\version "2.4.6"
\include "english.ly"
%Per brani da sfilata togliere il commento
%#(set-default-paper-size "a5" 'landscape)
#(set-global-staff-size 16)
\header {
title = "Marcia Sinfonica"
instrument = \markup { Alto Sax E\smaller \super \flat }
composer = "V. Monti"
}
altosax = \relative c'' {
\clef "treble"
\key f \major
\time 2/4
\set Staff.midiInstrument = "alto sax"
\set Staff.minimumVerticalExtent = #'(-4 . 4)
%per i numeri di prova
\set Score.markFormatter = #format-mark-numbers
\set Score.markFormatter
= #(lambda (mark context)
(make-bold-markup
(make-box-markup (number->string mark))))
%per le mutipause
\set Score.skipBars = ##t
\override MultiMeasureRest #'expand-limit = 1
\transposition ef
d4(a8) r16 d |
f4(d8) r16 f |
a4~a16 gs16 (a16 bf |
a4) r4 |
d,4(a8) r16 d |%5
f4(d8) r16 f |
e4~e16 d16 (cs16 d |
e4) r4 |
g2~ |
g8 e16(f g f e g |%10
f2)~ |
f8 d16 (e16 f e d f |
e2)~ |
e8 (e16 f g f e f |
d8) r8 r4 |%15
R2 |
\repeat volta 2 {\mark \default f2~ |
f8. e16 (d8.) cs16( |
d2)~ |
d8. e16(f8.) g16( |%20
a4..)(f16) |
d8. e16 f8. d16 |
e2~ |
e4 r4 |
bf'2~ |%25
bf8. a16 g8. e16 |
a2~ |
a8.(f16 e8. d16 |
e4..) d16( |
cs8. d16 e8. f16 |%30
d2)~ |
d4 r4 \mark \default \bar "||" |
f2~ |
f8.(e16 d8. cs16 |
d2)~ |%35
d8.(e16 f8. g16 |
a2)~ |
a8. d,16 cs8. d16 |
bf2~ |
bf8 r8 r4 |%40
\appoggiatura { g8[a]} bf4 a8. gs16( |
a8) r8 r4 |
\appoggiatura { d8[e]} f4 e8-> d8-> |
a8-> r8 r4 |
\appoggiatura { g8[a]} bf4 a8. gs16( |%45
a8) r8 r4 |
\appoggiatura { d8[e]} f4 e8-> d8-> |
}\alternative { {a8-> r8 bf8.-> (a16 |
g8) r8 a8.-> (g16 |
f8) r8 g8.-> (f16 |%50
e8) r4 a8-> |
d-> r8 r4 |
R2}{ |
a8 r8 a8. a16 |
a8 r8 a8.(bf16) } } |%55
\mark \default \bar "||" c4 c4~ |
c4 d8. (c16) |
g2~ |
g4 a( |
bf a |%60
g a |
f2)~ |
f8 r16 a'16(g8. f16 |
e8. g16) f4~ |
f e( |%65
bf2)~ |
bf8 r16 g'16 (f8. e16 |
d8. f16) e4~ |
e d( |
a2~) |%70
a8 r8 a8.(bf16) |
c4 c~ |
c d8.(c16) |
g2~ |
g4 a |%75
bf c |
d e |
f2( |
d8) r8 r4 |
f4. d8 |%80
bf8 g e bf'8 |
a4. c8 |
d e f g |
a4. d,16 c |
bf4. d16 e |%85
\repeat volta 2 {\mark \default f8 r8 c4( |
b bf |
a8) r8 a8.(bf32 a |
g4 f4 |
e8)(r8 d'8. c16 |%90
c8) r8 d8.(c16) |
c8 r8 g8.( a16 |
bf8. c32 bf a8 g8) |
}f8 r8 a8.(b16 |
cs4 d8. e16 |%95
d8) r8 f8. e16 |
d4 c8. bf16 |
a8 r8 a8. b16 |
cs4 d8. e16 |
d8 r8 f8.(e16 |%100
d4 c8. bf16 |
a8) a16-. a-. a8-. a-. |
a-. a-. a-. a-. |
\mark \default \bar "||" bf8.(a16 g4~)( |
g8 b16 c d e f g |%105
a8. g16 f4~) |
f8 g16(f e8) d-. |
c4 g8.(a16) |
bf8 c16(bf a8 g8 |
\repeat volta 2 {\mark \default f4.) f16(g) |%110
a4. a16(bf) |
c4. b16 c |
d8-.(c-. a-.) f-. |
d4. e16( f |
g4.) a16(bf |%115
c4.) c16(d |
e8) d-. g,-. a-. |
}f8 f'16 f f8 f |
f f(e ef |
\mark \default \bar "||" \key bf \major d2~) |%120
d8 cs( d a |
bf2~) |
bf8 f' (e ef |
d2~) |
d8 g, b d |%125
c2~) |
c8 g( c ef,) |
g4( a |
bf c |
d~) d8. c16 |%130
bf8.(c16 d8. ef16 |
f4.) c16( d |
ef4. g,16(a) |
bf8 f16 g( a bf c d |
ef4.) a,8-> |%135
bf-> f16 g(a bf c d |
ef4.) a,8-> |
bf-> r8 bf-> r16 bf16-> |
bf8-> r8 r4 |
\mark \default \bar "||" \key ef \major R2*4 |%140-143
r4 r8 d8 |
ef r8 r4 |%145
R2 |
\bar "||" \mark \default bf2~ \segno |
bf4 ef( |
g,2~) |
g4 bf |%150
ef,2~ |
ef4 r4 |
bf'2~ |
bf4 d4( |
c2~) |%155
c4 r4 |
f,2~ |
f4 c' |
bf2~ |
bf8 af( f af |%160
bf2 |
g2) |
bf2~ |
bf4 ef4( |
g,2~) |%165
g4 r4 |
bf2~ |
bf4 cs4 |
c2~ |
c4 r4 |%170
c4( f |
af g8. f16 |
ef4 bf4)~ |
bf4 g8.(af16 |
g8 af16 g f8 g |%175
af4 f |
bf2~) |
bf4 r4 |
c4( f |
af g8. f16 |%180
ef4 bf~) |
bf g'8.( af16 |
g8 af16 g f8 g |
af4) d,( |
ef8) r8 d4( |%185
ef8) ef16 ef ef8_\markup { \bold \bigger \italic Fine } r8|
\bar "||" g4-> f-> |
ef-> d-> |
c8-> r8 d( ef16 d |
c8) r8 r4 |%190
c8.( d16 ef8. f16 |
d4~) d8. g,16 |
b8.( c16 d8. ef16 |
c2) |
f4-> ef-> |%195
d-> c-> |
bf8-> r8 c8 d16 c |
bf8 r8 r4 |
\appoggiatura { f8[g]} a8 bf c d |
ef8 f, g a |%200
bf r8 r4 |
\appoggiatura { f'8[g]} af2 |
\appoggiatura { f8[g]} af2 |
\appoggiatura { f8[g]} af2~ |
af8_\markup { \bold \italic \bigger {D. S. al Fine}} r8 r4|%205
\bar "|."
}
\score {
\new Staff \altosax
\midi{ \tempo 4 = 120 }
\layout { }
}
------------------------------------------------------------------------
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