\version "2.4.6" \include "english.ly" %Per brani da sfilata togliere il commento %#(set-default-paper-size "a5" 'landscape) #(set-global-staff-size 16) \header { title = "Marcia Sinfonica" instrument = \markup { Alto Sax E\smaller \super \flat } composer = "V. Monti" } altosax = \relative c'' { \clef "treble" \key f \major \time 2/4 \set Staff.midiInstrument = "alto sax" \set Staff.minimumVerticalExtent = #'(-4 . 4) %per i numeri di prova \set Score.markFormatter = #format-mark-numbers \set Score.markFormatter = #(lambda (mark context) (make-bold-markup (make-box-markup (number->string mark)))) %per le mutipause \set Score.skipBars = ##t \override MultiMeasureRest #'expand-limit = 1 \transposition ef d4(a8) r16 d | f4(d8) r16 f | a4~a16 gs16 (a16 bf | a4) r4 | d,4(a8) r16 d |%5 f4(d8) r16 f | e4~e16 d16 (cs16 d | e4) r4 | g2~ | g8 e16(f g f e g |%10 f2)~ | f8 d16 (e16 f e d f | e2)~ | e8 (e16 f g f e f | d8) r8 r4 |%15 R2 | \repeat volta 2 {\mark \default f2~ | f8. e16 (d8.) cs16( | d2)~ | d8. e16(f8.) g16( |%20 a4..)(f16) | d8. e16 f8. d16 | e2~ | e4 r4 | bf'2~ |%25 bf8. a16 g8. e16 | a2~ | a8.(f16 e8. d16 | e4..) d16( | cs8. d16 e8. f16 |%30 d2)~ | d4 r4 \mark \default \bar "||" | f2~ | f8.(e16 d8. cs16 | d2)~ |%35 d8.(e16 f8. g16 | a2)~ | a8. d,16 cs8. d16 | bf2~ | bf8 r8 r4 |%40 \appoggiatura { g8[a]} bf4 a8. gs16( | a8) r8 r4 | \appoggiatura { d8[e]} f4 e8-> d8-> | a8-> r8 r4 | \appoggiatura { g8[a]} bf4 a8. gs16( |%45 a8) r8 r4 | \appoggiatura { d8[e]} f4 e8-> d8-> | }\alternative { {a8-> r8 bf8.-> (a16 | g8) r8 a8.-> (g16 | f8) r8 g8.-> (f16 |%50 e8) r4 a8-> | d-> r8 r4 | R2}{ | a8 r8 a8. a16 | a8 r8 a8.(bf16) } } |%55 \mark \default \bar "||" c4 c4~ | c4 d8. (c16) | g2~ | g4 a( | bf a |%60 g a | f2)~ | f8 r16 a'16(g8. f16 | e8. g16) f4~ | f e( |%65 bf2)~ | bf8 r16 g'16 (f8. e16 | d8. f16) e4~ | e d( | a2~) |%70 a8 r8 a8.(bf16) | c4 c~ | c d8.(c16) | g2~ | g4 a |%75 bf c | d e | f2( | d8) r8 r4 | f4. d8 |%80 bf8 g e bf'8 | a4. c8 | d e f g | a4. d,16 c | bf4. d16 e |%85 \repeat volta 2 {\mark \default f8 r8 c4( | b bf | a8) r8 a8.(bf32 a | g4 f4 | e8)(r8 d'8. c16 |%90 c8) r8 d8.(c16) | c8 r8 g8.( a16 | bf8. c32 bf a8 g8) | }f8 r8 a8.(b16 | cs4 d8. e16 |%95 d8) r8 f8. e16 | d4 c8. bf16 | a8 r8 a8. b16 | cs4 d8. e16 | d8 r8 f8.(e16 |%100 d4 c8. bf16 | a8) a16-. a-. a8-. a-. | a-. a-. a-. a-. | \mark \default \bar "||" bf8.(a16 g4~)( | g8 b16 c d e f g |%105 a8. g16 f4~) | f8 g16(f e8) d-. | c4 g8.(a16) | bf8 c16(bf a8 g8 | \repeat volta 2 {\mark \default f4.) f16(g) |%110 a4. a16(bf) | c4. b16 c | d8-.(c-. a-.) f-. | d4. e16( f | g4.) a16(bf |%115 c4.) c16(d | e8) d-. g,-. a-. | }f8 f'16 f f8 f | f f(e ef | \mark \default \bar "||" \key bf \major d2~) |%120 d8 cs( d a | bf2~) | bf8 f' (e ef | d2~) | d8 g, b d |%125 c2~) | c8 g( c ef,) | g4( a | bf c | d~) d8. c16 |%130 bf8.(c16 d8. ef16 | f4.) c16( d | ef4. g,16(a) | bf8 f16 g( a bf c d | ef4.) a,8-> |%135 bf-> f16 g(a bf c d | ef4.) a,8-> | bf-> r8 bf-> r16 bf16-> | bf8-> r8 r4 | \mark \default \bar "||" \key ef \major R2*4 |%140-143 r4 r8 d8 | ef r8 r4 |%145 R2 | \bar "||" \mark \default bf2~ \segno | bf4 ef( | g,2~) | g4 bf |%150 ef,2~ | ef4 r4 | bf'2~ | bf4 d4( | c2~) |%155 c4 r4 | f,2~ | f4 c' | bf2~ | bf8 af( f af |%160 bf2 | g2) | bf2~ | bf4 ef4( | g,2~) |%165 g4 r4 | bf2~ | bf4 cs4 | c2~ | c4 r4 |%170 c4( f | af g8. f16 | ef4 bf4)~ | bf4 g8.(af16 | g8 af16 g f8 g |%175 af4 f | bf2~) | bf4 r4 | c4( f | af g8. f16 |%180 ef4 bf~) | bf g'8.( af16 | g8 af16 g f8 g | af4) d,( | ef8) r8 d4( |%185 ef8) ef16 ef ef8_\markup { \bold \bigger \italic Fine } r8| \bar "||" g4-> f-> | ef-> d-> | c8-> r8 d( ef16 d | c8) r8 r4 |%190 c8.( d16 ef8. f16 | d4~) d8. g,16 | b8.( c16 d8. ef16 | c2) | f4-> ef-> |%195 d-> c-> | bf8-> r8 c8 d16 c | bf8 r8 r4 | \appoggiatura { f8[g]} a8 bf c d | ef8 f, g a |%200 bf r8 r4 | \appoggiatura { f'8[g]} af2 | \appoggiatura { f8[g]} af2 | \appoggiatura { f8[g]} af2~ | af8_\markup { \bold \italic \bigger {D. S. al Fine}} r8 r4|%205 \bar "|." } \score { \new Staff \altosax \midi{ \tempo 4 = 120 } \layout { } }