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Re: tie problem
From: |
Steve D |
Subject: |
Re: tie problem |
Date: |
Tue, 26 Sep 2006 13:44:57 -0600 |
User-agent: |
Mutt/1.5.11 |
On Tue, Sep 26, 2006 at 08:38:47PM +0200, Mats Bengtsson wrote:
> Steve D wrote:
> >Thank you Kieren for that explanation. What about the converse case,
> >where a tie begins inside a << { } \new Voice { } >> construct, at the
> >end (in the second voice, and one wishes the tie to continue to the next
> >note or chord outside that simultaneous music construct [...]
> It's exactly the same idea, keep notes that belong to the
> same musical voice in the same Voice context. In your case,
> the simplest method is to move "\new Voice" in front of the
> {c2 r2}. (However, you have to be extra careful if you start
> your <<...>> at the top of the piece, since LilyPond automatically
> tries to create Voice contexts. You probably have to explicitly
> say
>
> \new Voice \relative c'' {
> \time 4/4
> << \new Voice { c2 r2 } { e,4 f g <ees g bes>~ } >> |
> <ees g bes>1 |
> }
>
> /Mats
Thank you so much Mats for your explanation. This aspect of LilyPond is
now beginning to make sense to me.
:-)
-sd
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