I've gotten this to work fine, until now. It's not working at all. In the
score code below, measure 15 is the problem. On the third beat, I need to
shift either of the top two notes to the right. I've tried to shift both.
Neither will budge a bit. In the score below I'm trying to shift the top
note. It's not working.
Can someone tell me why?
Thanks, in advance...
t.
=== begin score ===
\version "2.11.62"
#(set-global-staff-size 20) % 20 this is said to be standard for most
scores
date = #(strftime "%Y.%m.%d" (localtime (current-time))) % define a
variable to hold the formatted date
#(define RH rightHandFinger) %assigns value to RH
\header {
% ***** centered top *****
%dedication="dedication" %centered above title, top of page one
title = "Chorale #1" %centered below dedication
%subtitle = "subtitle" %centered below title
subsubtitle = \markup { "(2008.11.03) - version" \date } %centered below
subtitle
%piece = "(piece)" %{ useful only with multi-piece set given Opus
number; set flus left below meter %}
instrument = "Classical Guitar" %{ centered below the subsubtitle, and
at the top of pages (other than the first page). %}
% ***** flush right *****
composer = \markup \center-column {"Tom Cloyd" \small "address@hidden" }
%flush right
%arranger = "{arranger}" %flush right below composer
%opus = "{opus}" %flush right below arranger
% ***** centered, bottom of page *****
copyright = "© 2008 Tom Cloyd" %centered at the bottom of the first
page
tagline = \markup { \small "score set with Lilipond
(http://lilypond.org/web/)"} % centered at the bottom of the last page
}
\paper {
#(set-default-paper-size "letter" 'portrait)
ragged-last-bottom = ##t % turns off vertical justify
left-margin = 0.6\in
line-width = 7\in % works better than specifying R-margin
bottom-margin = 0.7\in
top-margin = 0.7\in
}
% variables =====================================
% LH fingering orientations
sfol = \set Staff.fingeringOrientations = #'(left)
sfor = \set Staff.fingeringOrientations = #'(right)
sfod = \set Staff.fingeringOrientations = #'(down)
sfou = \set Staff.fingeringOrientations = #'(up)
% RH fingering orientations
ssfol = \set Staff.strokeFingerOrientations = #'(left)
ssfor = \set Staff.strokeFingerOrientations = #'(right)
ssfod = \set Staff.strokeFingerOrientations = #'(down)
ssfou = \set Staff.strokeFingerOrientations = #'(up)
% string number orientations
ssnol = \set Staff.stringNumberOrientations = #'(left) %(down right
up)
ssnou = \set Staff.stringNumberOrientations = #'(up)
ssnod = \set Staff.stringNumberOrientations = #'(down)
ssnor = \set Staff.stringNumberOrientations = #'(right)
% VOICE ONE ========================================
melody = \relative c' {
\clef "treble_8"
\key a \minor
\time 4/4
\tempo "Moderato" 4 = 98 %{ metronome marking will be in parentheses, if
accompanied by verbal tempo marking; or just precede it with empty
parentheses to obtain metron. marking in parens. %}
\voiceOne
\sfol %LH fingering placement
\ssfor %RH fingering placement
\ssnol %string number placement
e2 < f-1 >4 ^"2/6 C I" < g-4 > |
g4. e8 c2 ^"C I" |
c < d-4 >4 e |
d2 ^"C III" < e-4 >4 g |
< a-4 >2 < a-4 >4 ^"5/6 C III" < g-1 > |
% m 6 ===== ===== ===== =====
< e c g >2 < d b-2 g-3 > ^"C III" | \break
e2 < g-4 >4 < b-4 > |
a ^"3/6 C V" < b-4 > < c-4 >2 |
< b-4 >4 -\tweak #'extra-offset #'(-3 . 0)^"3/6 C V" < a-1 > < g-1 b,
>4. -\tweak #'extra-offset #'(0 . 0)^"3/6 C IV" < a-1 >8 |
< a e >2 ^"C V" g\rest |
\bar ":|:"
% m 11 ===== ===== ===== =====
e2 ^"I" f4 ^"C I" < g-4 > |
e2 <g-4 > |
\break e < d-4 >4 b
|
< c g> a b2 |
< a-1 > \once \override NoteColumn #'force-hshift = #1.0 b | % m
16 ===== ===== ===== =====
c ^"C I" < c-1 > |
d ^"C III" e | < f-1 >2 g4 ^" C III" b |
\break
a2 ^"C V" < b-1 >4 < d-4 > |
< c-4 >2 ^"3/6 C V" b4 c |
% m 21 ===== ===== ===== =====
< a-2 >4 < b-4 > < gis-4 > a |
< a-4 >1 |
\bar ":|:"
< c,-1 >2 c4. ^"C I" d8 |
d4. e8 e2 |
g4. e8 e2 |
% m 26 ===== ===== ===== =====
< g-1 >4 < a-4 > g e |
g e < g d >4. ^"C III" < e-4 >8 |
< e-4 >2 e |
e2 < f-1 >4 < g-4 > |
\bar ":|" r4 < e c-1\3 b a-\tweak #'extra-offset #'(0 . -0.5)-3-\tweak
#'extra-offset #'(0 . -0.5)\4 >2. |
\bar "||" }
% VOICE TWO ========================================
tenor = \relative c' {
\voiceTwo
\sfol %LH fingering placement
\ssfor %RH fingering placement
\ssnol %string number placement
< c-1 g e-2 >2 < c-1 g c,-3 > |
< c g e, >2 < c a-2 f-3 f, > |
< g e-2 e, >2 < a-2 d, f,-1 > |
< b-2 g-3 g, >1 |
< e-3 c-2 a, >2 < e-3 c-2 c,-1 > |
% m 6 ===== ===== ===== =====
< e,-3 >4 f g,2
< b' g e, >2 < d-3 g b,-1 >4 < b g d > |
< e c a-3 >2 < e-1 a,-3 a, > |
< e-1 d-\tweak #'extra-offset #'(0 . -1)-3 e,, > < e-2 e,-4\5 > |
<<
\stemDown
{ c2 < a-3 >4 c | } \\
{ a,1 | }
>>
% m 11 ===== ===== ===== =====
< c' a-2 a,>2 < c a f, > |
<<
{< b g >2 < b g d > |} \\
{e,,1|}
>>
< b'' e,-2 c-3 >2 < g d b-2 > |
< e a, >2 < g d e, > |
<<
\stemDown
{< e-1 >2 < a-1 >4 g |} \\
{< c,-2 a-4\6 >2 < d g,-2 >} |
>>
% m 16 ===== ===== ===== ===== < a'-2 f-3 f, >2 < g e-2 c-3 > |
< b-2 g-3 g, > < c-1 g c,-3 > |
< c-1 a-2 a,-0> < d-1 b-2 g, > |
< e c a, >2 < b g e, > |
< e c a-3 >2 < c-\tweak #'extra-offset #'(1 . 1)-1-\tweak #'extra-offset
#'(1 . 1)\3 b-0 e,-3 >| % m 21 ===== ===== =====
=====
< f-3 c-1 d, > < d-2 b-3 e,-1 >|
< e-3 c-2 a, >1|
< g, e-2 a, >2< a-2 f-3 f, > |
< b g e, > <c-1 e,-2 a, > |
< b g b,-2 >2 < c g c, > |
% m 26 ===== ===== ===== =====
< e-3 c-2 a, >4 < e c g,-1 > < b d, e, >2 |
< c-1 e,-2 a, > < b-2 g, > |
< c-3 e,-1 a, > <d-\tweak #'extra-offset #'(0 . -0.7)-4 g, b,-2 > |
< c g c,-3 > < d-4 a-2 c,-3 >4 < b g b,-2 > |
a,1 |
}
% VOICE THREE =======================================
%{bass = \relative c {
\voiceThree
\stemDown
\sfol %LH fingering placement
\ssfor %RH fingering placement
\ssnol %string number placement
%}
% following is a template
%% -\tweak #'extra-offset #'(0 . 0)
\score {
\context Staff = "guitar" \with {
\consists "Span_arpeggio_engraver"
}
<<
%\set Staff.instrumentName="Classical Guitar" %puts name to left of
line one
\set Staff.midiInstrument="acoustic guitar (nylon)"
\set Staff.connectArpeggios = ##t
\context Voice = "melody" \melody
\context Voice = "tenor" \tenor
%\context Voice = "bass" \bass
>>
\layout {
indent = 0.0\cm % remove indent on first staff
}
\midi { %causes generation of midi score
}
}
=== end score ===
--
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< address@hidden >> (email)
<< TomCloyd.com >> (website) << sleightmind.wordpress.com >> (mental
health weblog)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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