Re: key change between repetition bars?

[Mats Bengtsson]

One trick that was proposed some week ago in a similar situation, is to 
use a grace note:

\version "2.13.13"

mel = \relative c {
\time 3/4
\repeat volta 2 {
   c4 c c | c2
 }
\key a \major \grace{s16}
\repeat volta 2 {
 c8 c | c4 c c c
}
}

\new Voice { \mel }

Just watch out that you include a similar grace note in all staves if 
your score has several staves.

  /Mats

Marc Hohl wrote:
> I don't know whether this is kind of standard notation practice,
> but I have to sty as close as possible to the original score, so
> I want to achieve something similar to the attached picture.
>
> I tried to work with
>
> \version "2.13.13"
>
> mel = \relative c {
>  \time 3/4
>  \repeat volta 2 {
>     c4 c c | c2
>   }
> \cadenzaOn \key a \major s4 \cadenzaOff
> \repeat volta 2 {
>   c8 c | c4 c c c
>  }
> }
>
> \new Voice { \mel }
>
> but it seems that the cadenza part is way too big and doesn't 
> dependent on the spacer.
> Is there a way to include the key signature and tell lilypond to use 
> exactly the space the signature needs?
>
> Thanks in advance,
>
> Marc
>
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--
=============================================
        Mats Bengtsson
        Signal Processing
        School of Electrical Engineering
        Royal Institute of Technology (KTH)
        SE-100 44  STOCKHOLM
        Sweden
        Phone: (+46) 8 790 8463                         
       Fax:   (+46) 8 790 7260
        Email: address@hidden
        WWW: http://www.s3.kth.se/~mabe
=============================================