On Fri, 17 Dec 2010 04:09:10 -0800, Phil Holmes <address@hidden>
wrote:
The version that Chappell uses in the Mikado is attached.
Nice.
It does break the usual rules about horizontal placement, and about when
to cancel accidentals in another voice. But, with the beaming to clarify
the timing and linking the voices, I did not notice any rules were
broken --until I tried to produce it with Lilypond.
It would be reasonable to ask Lilypond to produce 'A' below on her own,
and even better if she would offset the notes as in 'B' (which she does do
for chords in one voice). Probably a human should decide when to bend the
rules to produce 'C'.
I think it helps to show the desired behavior in the tracker, and plan to
put what is below in a comment to 1134, unless somebody either beats me to
it or has second thoughts.
-Keith
\relative c' { \time 2/8
<< s1*0^wrong
{ fis8 g } \\ { f f } >>
<< s1*0^A
{ fis8 g } \\ { f! f } >>
<< s1*0^B
{ fis8 g } \\
{ \once\override NoteColumn #'force-hshift = #1
f! f } >>
<< s1*0^C
#(set-accidental-style 'voice)
{ fis8[ g] } \\ {
s64 f!8*7/8[ f] } >>
}