%=============================================
%   created by MuseScore Version: 0.9.6.3
%          December 9, 2010
%=============================================

\version "2.12.0"



#(set-default-paper-size "a4")

\paper {
  line-width    = 190\mm
  left-margin   = 10\mm
  top-margin    = 10\mm
  bottom-margin = 20\mm
  %%indent = 0 \mm 
  %%set to ##t if your score is less than one page: 
  ragged-last-bottom = ##t 
  ragged-bottom = ##f  
  %% in orchestral scores you probably want the two bold slashes 
  %% separating the systems: so uncomment the following line: 
  %% system-separator-markup = \slashSeparator 
  }

\header {
title = "Test-Score"
}

APnovoiceAA = \relative c'{
    \set Staff.instrumentName = #"Piano"
    \set Staff.shortInstrumentName = #"Pno."
    \clef treble
    %staffkeysig
    \key c \major 
    c4 ^\markup {\upright  "C"} d ^\markup {\upright  "D"} e ^\markup {\upright  "E"} f ^\markup {\upright  "F"}      | % 1
    r1      | % 2
    r      | % 3
    r      | % 4
    r \bar "|."\bar "|." 
}% end of last bar in partorvoice

 

AvoiceBA = \relative c{
    \set Staff.instrumentName = #""
    \set Staff.shortInstrumentName = #""
    \clef bass
    %staffkeysig
    \key c \major 
    r1      | % 1
    r      | % 2
    r      | % 3
    r      | % 4
    r \bar "|."\bar "|." 
}% end of last bar in partorvoice


\score { 
    << 
        \context PianoStaff <<
        \set PianoStaff.instrumentName="Piano" 
            \context Staff = APnopartA << 
                \context Voice = APnovoiceAA \APnovoiceAA
                \set Staff.instrumentName = #""
                \set Staff.shortInstrumentName = #""
            >>


            \context Staff = ApartB << 
                \context Voice = AvoiceBA \AvoiceBA
                \set Staff.instrumentName = #""
                \set Staff.shortInstrumentName = #""
            >>


        >> %end of PianoStaffA


      \set Score.skipBars = ##t
      %%\set Score.melismaBusyProperties = #'()
      \override Score.BarNumber #'break-visibility = #end-of-line-invisible %%every bar is numbered.!!!
      %% remove previous line to get barnumbers only at beginning of system.
       #(set-accidental-style 'modern-cautionary)
      \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
       \override Score.TimeSignature #'style = #'() %%makes timesigs always numerical
      %% remove previous line to get cut-time/alla breve or common time 
      \set Score.pedalSustainStyle = #'mixed 
       %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
       \override Score.TrillSpanner #'(bound-details right padding) = #-2
      \override Score.TextSpanner #'(bound-details right padding) = #-1
      %% Lilypond's normal textspanners are too weak:  
      \override Score.TextSpanner #'dash-period = #1
      \override Score.TextSpanner #'dash-fraction = #0.5
      %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (address@hidden):
      \override Score.ChordName #'font-family = #'roman 
      \override Score.ChordName #'font-size =#0 
      %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
      \set Score.majorSevenSymbol = \markup {maj7}
  >>

  %% Boosey and Hawkes, and Peters, have barlines spanning all staff-groups in a score,
  %% Eulenburg and Philharmonia, like Lilypond, have no barlines between staffgroups.
  %% If you want the Eulenburg/Lilypond style, comment out the following line:
  \layout {\context {\Score \consists Span_bar_engraver}}
}%% end of score-block 

#(set-global-staff-size 20)