Re: Multiple tensions in Chord Mode

[Jean-Alexis Montignies]

On 28 mai 2012, at 20:55, Dossy Shiobara wrote:

> On 5/28/12 9:48 AM, Louis Guillaume wrote:
>>  In chord mode:
>> 
>>    c:7.9-.9+
>> 
>>  In regular markup:
>> 
>>    <c e g bes des' dis'>
>> 
>> Both of these produce a chord symbol AND chord without the flat-nine.
>> It seems to only accommodate one 9th, and uses the last one encountered.
>> 
>> Is there a way to do work around this?
> What about using the alternate note names?  Could you do this:
> 
>  <c e g bes cis' dis'>
> 
> for example, if des' == cis', right?
> 
> -- 
> Dossy Shiobara         |      "He realized the fastest way to change
Interesting voicing, in which context do you use that?

If it's from super locrian, you would have to use the diminished 4th instead of 
the third like in: c:m7.9-.11- , and the add the voicing to the chord exception 
list. (But then the third in on top of the augmented ninth, ouch ).

I'm surprised the markup won't display all the note on the staff.

I have this excerpt from my chord exceptions:

customChordExceptions =
{
% from superlocrian (MM7)
<c ef g bf df' ff'>- \markup
{ 7
\hspace #0.2 \parenthesize {
\fontsize #-3 { \override #'(direction . 1) \dir-column {
\line { "♭9" }
\line { "♯9" }
} }
}
}
<c ef gf bf df' ff' af'>- "7alt"
}

Jean-Alexis