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Re: Time signatures ¢¢ and cc
From: |
Dan Eble |
Subject: |
Re: Time signatures ¢¢ and cc |
Date: |
Fri, 26 Sep 2014 22:19:05 -0400 |
On Sep 26, 2014, at 08:20 , Simon Albrecht <address@hidden> wrote:
> Am 26.09.2014 um 04:10 schrieb Dan Eble:
>> I have a hymnal in which many songs have time signatures with symbols
>> "cc" and "¢¢" [doubled cut-time symbol]. I can't find any information on
>> these online. Does anyone know what they actually mean? Were they
>> common historically, or is this hymnal just using them ad hoc?
>>
>> My hypothesis based on the context and the feeling of the songs as they
>> are usually sung is that "¢¢" is 4/2 (i.e. 2/2 + 2/2) and "cc" is a misprint.
>> ("cc" appears very rarely.)
> I don’t think either of them is a misprint. The double cut c time signature
> occurs in Schubert, op. 90, no. 4 (see
> <http://imslp.org/wiki/Special:ImagefromIndex/00364>, page 15) for example,
> and I do recall having seen double c in a similar kind of music also, so this
> kind of time signature has been in use historically: apparently mostly during
> the early 19th century.
> Now the interpretation and history of the various time signatures derived in
> some way from mensural notation is a complex issue, as is the disambiguation
> of c and cut c. There are numerous historical dependencies, some
> controversially discussed, and I don’t think it’s the music typographer’s job
> to make any judgement. In any case, both the double time signatures you
> describe add up to a measure length of 4/2, only the musical meaning may
> subtly differ.
Thanks. That’s very helpful information (it’s No. 3 though). I’m now more
inclined to consider ¢¢ as 2/1 and cc as 4/2. (I am also rather puzzled to
find that my hymnal also has a song in 4/2. I’m not willing to give up the
idea that there were a few lapses of editing.)
Since these time signatures are not available by default in Lilypond, I found
the following way to get them. They’re not quite as nice as in the Schubert
score. I think I’d need to change the spacing between the glyphs if I were
going to use these.
—
Dan
\version "2.18.0"
timeTwoOne = {
\once \override Staff.TimeSignature.stencil =
#(lambda (grob)
(grob-interpret-markup grob
#{ \markup { \musicglyph #"timesig.C22" \musicglyph #"timesig.C22" } #}))
\time 2/1
}
timeFourTwo = {
\once \override Staff.TimeSignature.stencil =
#(lambda (grob)
(grob-interpret-markup grob
#{ \markup { \musicglyph #"timesig.C44" \musicglyph #"timesig.C44" } #}))
\time 4/2
}
\relative c' {
\timeTwoOne c\breve
\time 2/2 c1
\timeFourTwo c\breve
\time 4/4 c1
}