Re: hide repeat endings?

[Ian Rashkin]

THANK YOU! Beautiful. I'm learning...

On 8/29/2015 10:41 AM, Robin Bannister wrote:

\version "2.18.2"

%\include "ijr-jazzchords.ily"
%\include "lilyjazz.ily"

\header {
  title =  "untitled..."
  composer = "Ian Rashkin"
  copyright = "© 2014 Ian Rashkin (BMI)"
  tagline = "refactored  Re: hide repeat endings? lilypond-user 2015-08-29" %need blank to suppress lilypond marker
}

sl = {
  \improvisationOn
  \override Voice.Stem.stencil = ##f
}
nsl = {
  \improvisationOff
  \revert Voice.Stem.stencil
}

%%%%%%%%%% harmony

initialHarmony = {}

introHarmony = \chordmode {
  s1*8
}

headHarmony = \chordmode {
  f1*8:7 \bar "||" \break
  des1*8:7 \bar "||" \break
  a1*8:7.9- \bar "||" \break
  bes1:7
  c1:7
  f1:min7
  bes1:7
  a1:min7+
  d1:7
  g1:min7
  g1:7
  c1:7 
}

turnaroundHarmony = \chordmode {
  bes1:9+.5+ \bar "|." \break
}

codaHarmony = \chordmode {
  bes1:9+.5+
  c1:9+.5+
  bes2:9+.5+ b2:7 \bar "|."
}

%%%%%%%%%% melody

initialMelody = {
  \clef treble
  \key f \major
  \tempo "Fast Swing" 4 = 232 \time 4/4
  \numericTimeSignature
}

introMelody = \relative c'' {
  \sl
  \repeat unfold 8 {\repeat unfold 4 {f4}}
  \nsl
}

headMelody = \relative c'' {
  f1~---> \repeat unfold 23 {f1~} |
  f2\accent-\bendAfter #-4.75 r2
  d8 d8 c8 d,8 a'8 c8 r4
  r4 aes8 c8 bes8  aes8 ees8 des8
  d!8 ees8 aes8 c8 bes8 g8~ g8 r8
  gis8 gis8 a8 d8 c8 fis,8~ fis8 r8
  fis8 e8 c8 a8 d8 a'8-.-> r4
  r4 bes8 bes8~ bes8 bes8 bes4
  b8 b8~ b8 b8 b4 c4
  d8 f8 c8 a8 \tuplet 3/2 {g8 a8 bes8} d8 c8
}

turnaroundMelody = \relative c'' {
  bes8 aes8 g8 fis8~ fis8 r4.
}

codaMelody = \relative c'' {
  bes8 aes8 g8 fis8~ fis8 r8 b4
  c8 bes8 a8 gis8~ gis8 r8 cis4
  \tuplet 3/2 {bes4 aes4 g4} fis2 |
}

%%%%%%%%%% auxiliary

initialAux = {}

introAux = { 
  <>-\markup {"Intro: Drums (+?) arhythmic improv"} 
  s1*8 \bar "||" \break 
}

headAux = { 
  <>^\markup{ \translate #'(-6 . 2) \musicglyph #"scripts.segno"}_\markup{\override #'(line-width . 100) \italic
    \wordwrap-string #"* Use circular breathing, repetition, free improivisation, or whatrever you can to extend this note through all 24 bars
  (freely vary timbre, volume, intonation, etc.)"}
  s1*8 \bar "||" \break
  s1*8 \bar "||" \break
  s1*8 \bar "||" \break
  s1*8
  s8*7 <>\coda s8
}

turnaroundAux = { 
  s8*5 <>_\markup {\translate #'(-30 . -5) { "solos " {\teeny \musicglyph #"scripts.segno"} " to end, coda on out head only"}}
  s8*3
}

codaAux = { 
  <>^\markup{ \translate #'(-6 . 2) \musicglyph #"scripts.coda"}
  s1*3
}




%%%%%%%%%% paper

\score {
  <<
    \new ChordNames
    { \initialHarmony \introHarmony \headHarmony \turnaroundHarmony \codaHarmony }
    \new Voice \with { \consists "Pitch_squash_engraver" }
    << 
      { \initialAux \introAux \headAux \turnaroundAux \codaAux  }
      { \initialMelody \introMelody \headMelody \turnaroundMelody \codaMelody }
    >>
  >>  
  \layout {
    indent = 0
    ragged-last = ##t
    \context {
      \Score
      \remove "Bar_number_engraver"
    }
  }
}

%%%%%%%%%% midi

\score {
  <<
    { \initialHarmony \introHarmony \headHarmony \turnaroundHarmony \headHarmony \codaHarmony }
    { \initialMelody \introMelody \headMelody \turnaroundMelody \headMelody \codaMelody }
  >>
  \midi { }
}