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[Best Practices] splitting and combining choral parts
From: |
Kieren MacMillan |
Subject: |
[Best Practices] splitting and combining choral parts |
Date: |
Tue, 24 Nov 2015 10:14:50 -0500 |
Hello list,
I’ve posted this question several times before, but the discussion always got
truncated or derailed… I’m hoping this time we can work this through to a
solution.
Choral pieces tend to have both sections of polyphony (requiring 4 or more
staves) and sections of homophony (requiring as few as 1 staff). I want to be
able to arbitrarily break systems and have Lilypond Do The Right Thing™, by
which I mean use the maximum number of systems when necessary, but combine
voices and lyrics to 3 or 2 staves or even 1 staff where possible.
Bonus points if we can convince Lily to automagically [e.g., via an engraver?]
put a user-definable markup indicating who is singing at a given moment, add
splitting-or-combining arrows at the end(s) of systems, etc.
I’ve attached the first 17 measures of one of my original carols as an example
we can work with/through. Is anyone out there willing to work with me to find
the Best Practice here? I’m happy to do this on-list or off-, as appropriate.
Thanks,
Kieren.
________________________________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: address@hidden
WithersCarol_example.ly
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- [Best Practices] splitting and combining choral parts,
Kieren MacMillan <=