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Re: Parallel Square Premusic


From: Carl Sorensen
Subject: Re: Parallel Square Premusic
Date: Wed, 22 Mar 2017 23:43:27 +0000
User-agent: Microsoft-MacOutlook/14.7.1.161129


On 3/22/17 10:57 AM, "address@hidden" <address@hidden> wrote:

>What's hard to follow? Please, critique my format verbosely. When you see
> 
>[]rh  --dadada||daaaaaaa||--dadada||daaaaaaa
> 
>Are you unable to discern from the 'rh' or my instructions that this is
>the rhythm line, or do you not know how to read aloud "dadada daaaaaaa"?
>Or, having read it aloud, are you not able to understand the inherent
>correlation between the length of a printed word and the time delegated
>to its pronunciation? Having understood it, are you not able to see the
>usefulness of a formalization of the length of a "daaa" as corresponding
>to the length of its note?

Personally, I don't *want* to have the rhythm separated from the pitch.
One of the great benefits for sheet music is that the rhythm and the pitch
are connected.  And for me, LilyPond input also has that same benefit.

> 
>When you see
> 
>[]pi  E5E5F5G5||G5F5E5D5||C5C5D5E5||E5D5D5--
> 
>Are you unable to discern from the 'pi' that this is a pitch line, or are
>you unable to recognize the use of scientific pitch notation, or do you
>refuse to acknowledge its existence, or refuse to understand it?
> 
>Are you not able to understand that a G5 and a da on top of each other
>correspond to the same point of music?

I'm able to discern it, but I find it very hard to parse the squares.
They run into one another.  There is no whitespace in your format.
Whitespace is key to being able to easily parse content for my eyes; maybe
not so much for yours.

Finally, the main thing I find missing in your format is that it is very
poor at encoding semantics.  It's just a plaintext rendering of a very
static music layout.

I'm a strong believer in semantic input.  I prefer LaTeX to Word (or Open
Office) because it does a better job of explicitly supporting semantic
(rather than graphic) markup.  Certainly one can use styles in OpenOffice
to carry semantic markup, but it's not visually obvious that this is being
done.

Your plaintext format provides no visual cues to the semantic markup, in
my opinion.

Perhaps the world will judge Parallel Square Premusic to be the best
possible text encoding of music. But even if it does, I will not be using
Parallel Square Premusic.  I prefer LilyPond "Premusic", as it speaks much
better to me.

Good luck in your endeavor.

Carl




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