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Re: Fwd: Re: turning a blind eye to dotted note
From: |
David Kastrup |
Subject: |
Re: Fwd: Re: turning a blind eye to dotted note |
Date: |
Mon, 29 Jan 2018 12:39:29 +0100 |
User-agent: |
Gnus/5.13 (Gnus v5.13) Emacs/26.0.50 (gnu/linux) |
Torsten Hämmerle <address@hidden> writes:
> Hi Bernhard,
>
> a cadenza is rhythmically free, no checks, no limits, no rules. So a
> combination of \cadenzaOn and | doesn't make any sense.
>
> Apart from this - in addition to all the other replies - I'd like to
> point out that LilyPond's behaviour (allow note durations to stretch
> out into the next bar) is one of the big advantages compared to much
> more rigid software (Finale, Sibelius, ...).
>
> This tine example shows a tuplet /deliberately/ crossing a barline:
>
> Try to achieve this with any other software (I'm not sure about
> Dorico, though) and you'll see that a lot of tricky tweaking and
> fiddling is needed to get it done.
Seriously? It's pretty much standard fare for Renaissance music and
early baroque, to the degree that often bar lines are confined to
outside of the staff proper.
--
David Kastrup
- Re: turning a blind eye to dotted note, (continued)
Re: turning a blind eye to dotted note, Malte Meyn, 2018/01/29
Fwd: Re: turning a blind eye to dotted note, Blöchl Bernhard, 2018/01/29