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From: | Urs Liska |
Subject: | Re: First steps in Lilypond |
Date: | Mon, 9 Apr 2018 23:22:25 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:52.0) Gecko/20100101 Thunderbird/52.6.0 |
Am 09.04.2018 um 23:05 schrieb foxfanfare:
Mark Stephen Mrotek wroteUrs, The link provided is nothing like the Chopin Etude #23, Op. 25 No 11 in my Paderewski edition. Hofstadter in his book "Goedel, Escher, Bach: The Golden Braid" offers a mathematical/contrapuntal analysis. MarkBecause it's Godowsky :-) 53 Studies on Chopin's Etudes ~ 42
I think Mark wanted to indicate that the *original* Chopin study in Paderewski's (annotated?) edition is even more challenging. However, when I last looked into it I recall concluding that the Paderewski edition had *not* been engraved with LilyPond ;-) And this was the question my link referred to: seeing LilyPond deal with complex piano music.
I truely love this book... I have two volumes on paper and it is very inspiring for my work! Actually, almost every etudes could be an engraving challenge... And I must admit that the LP result is awesome even if it lacks some adjustements.
Of course it lacks these. Actually this *is* the point about the example, how awesome it is without any engraving tweaks.
I read the code but can't understand yet the scheme code yet...
Well, of course this example is especially challenging due to its non-standard beaming, and the Scheme code basically deals with that. One should stress the fact that -- all programmer's sophistication notwithstanding -- the actual layout decisions are purely automatic.
The original engraver should have earn an engraving oscar... (if it existed)
Maybe he's watching this ;-)
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