Re: Cadenza problem

[Simon Albrecht]

Hi David,

it seems you have to add a manual barline at \cadenzaOff, but otherwise 
I don’t see any problem with

%%%%%%%%%%%%%
\version "2.19.80"

<<
  {
    \time 6/8
    2.
    \cadenzaOn
    \repeat unfold 14 { 4 }
    \cadenzaOff
    \bar "|"
    2.
  }
  {
    2.
    2.*14/3\fermata
    2.
  }
>>
%%%%%%%%%%%%%%%%%%

How about that?

Best, Simon


On 13.04.2018 23:40, David Sumbler wrote:
> The piece I am setting has a flute cadenza which is notated in standard
> size notes totalling 14 crotchets (quarter-notes) in length.  The whole
> cadenza is written between 2 successive barlines.
>
> The prevailing time signature at this point is 6/8, and in the cadenza
> all of the other instruments have a tied dotted minim with a fermata.
>
> I have been trying to reproduce this layout in LilyPond, using
> v.2.19.81.  I tried \cadenzaOn etc., but that did not seem suitable.  I
> then tried to adapt the snippet found at
> http://lsr.di.unimi.it/LSR/Item?id=836 .  Using this, the cadenza bar
> itself works OK, but in subsequent bars Lilypond seems to think that
> the time signature is 4/4.
>
> I conclude that the line '\unset Timing.measureLength' restores
> measureLength to its default value, rather than restoring the previous
> value.  I tried removing that line and adding '\once ' before
> '\set Timing.measureLength', but this fails completely.
>
> I have now replaced the line
> \unset Timing.measureLength
> with
> \set Timing.measureLength = #(ly:make-moment 3/4)
>
> This works fine, but how would I get a more general solution which
> could be used in cases which are not in 6/8 or 3/4?
>
> David
>
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