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From: | Luca Danieli |
Subject: | Re: Problem with accidentals.ly and Lilypond 2.19.82 |
Date: | Thu, 13 Dec 2018 22:11:50 +0000 |
Sorry for the inline image Thomas, didn't know about that.
I have been able to run it!
What it did was to replace the line #(ly:parser-set-note-names parser pitchnames)
with #(ly:parser-set-note-names pitchnames)
So I have got the same problem of before. Some accidentals are replaced with a X. Don't know how to solve it. Am I the only one to have this problem?
Thanks
Luca
I post here the content of the file and attach the image of the problem:
%% http://lsr.dsi.unimi.it/LSR/Item?id=786
%% see also http://www.lilypond.org/doc/v2.18/Documentation/notation/pitch-and-harmony-in-contemporary-music.html#microtonal-notation
%% see also http://www.ekmelic-music.org/en/ekmelily.htm
% The pitches for the scale are specified in terms of equal-tempered
% whole tones.
% Transposition, key signatures, transposition, and
% MIDI output will use these pitches.
% A perfect fifth is 701.955 'cents' where a cent is 1/200 of an
% equal-tempered whole tone. LilyPond uses rational numbers for
% pitches, so we use 702/200 whole tones for the fifth.
% Building the scale starting on C,
% G is a perfect fifth higher at 702/200, D is another fifth higher
% at 1404/200 so the pitch within the first octave is 204/200, etc.
% (You can write a Scheme code to generate the series if you prefer.)
scalepitches = #`#(0/200 204/200 408/200 498/200 702/200 906/200 1110/200)
#(ly:set-default-scale (ly:make-scale scalepitches))
% The pitch E built from perfect fifths is 408 cents above C,
% but a perfect major third is 386 cents.
% The notes in perfect thirds use arrows on accidentals
% to represent adjustment by this 22-cent difference.
\version "2.19.80"
ARROW = #22/200
#(define-public SHARP-RAISE (+ SHARP ARROW))
#(define-public SHARP-LOWER (- SHARP ARROW)) % 92/200
#(define-public NATURAL-RAISE (+ NATURAL ARROW))
#(define-public NATURAL-LOWER (- NATURAL ARROW))
#(define-public FLAT-RAISE (+ FLAT ARROW))
#(define-public FLAT-LOWER (- FLAT ARROW))
% Note names can now be defined to represent these pitches in our
% Lilypond input. We extend the list of Dutch note names:
arrowedPitchNames = #`(
(ceses . ,(ly:make-pitch -1 0 DOUBLE-FLAT))
(ceseh . ,(ly:make-pitch -1 0 (* FLAT 3/2)))
(cesel . ,(ly:make-pitch -1 0 FLAT-LOWER))
(ces . ,(ly:make-pitch -1 0 FLAT))
(cesir . ,(ly:make-pitch -1 0 FLAT-RAISE))
(cesih . ,(ly:make-pitch -1 0 (/ FLAT 2)))
(ceh . ,(ly:make-pitch -1 0 (/ FLAT 2)))
(cel . ,(ly:make-pitch -1 0 NATURAL-LOWER))
(c . ,(ly:make-pitch -1 0 NATURAL))
(cir . ,(ly:make-pitch -1 0 NATURAL-RAISE))
(cih . ,(ly:make-pitch -1 0 (/ SHARP 2)))
(ciseh . ,(ly:make-pitch -1 0 (/ SHARP 2)))
(cisel . ,(ly:make-pitch -1 0 SHARP-LOWER))
(cis . ,(ly:make-pitch -1 0 SHARP))
(cisir . ,(ly:make-pitch -1 0 SHARP-RAISE))
(cisih . ,(ly:make-pitch -1 0 (* SHARP 3/2)))
(cisis . ,(ly:make-pitch -1 0 DOUBLE-SHARP))
(deses . ,(ly:make-pitch -1 1 DOUBLE-FLAT))
(deseh . ,(ly:make-pitch -1 1 (* FLAT 3/2)))
(desel . ,(ly:make-pitch -1 1 FLAT-LOWER))
(des . ,(ly:make-pitch -1 1 FLAT))
(desir . ,(ly:make-pitch -1 1 FLAT-RAISE))
(desih . ,(ly:make-pitch -1 1 (/ FLAT 2)))
(deh . ,(ly:make-pitch -1 1 SEMI-FLAT))
(del . ,(ly:make-pitch -1 1 NATURAL-LOWER))
(d . ,(ly:make-pitch -1 1 NATURAL))
(dir . ,(ly:make-pitch -1 1 NATURAL-RAISE))
(dih . ,(ly:make-pitch -1 1 (/ SHARP 2)))
(diseh . ,(ly:make-pitch -1 1 (/ SHARP 2)))
(disel . ,(ly:make-pitch -1 1 SHARP-LOWER))
(dis . ,(ly:make-pitch -1 1 SHARP))
(disir . ,(ly:make-pitch -1 1 SHARP-RAISE))
(disih . ,(ly:make-pitch -1 1 (* SHARP 3/2)))
(disis . ,(ly:make-pitch -1 1 DOUBLE-SHARP))
(eeses . ,(ly:make-pitch -1 2 DOUBLE-FLAT))
(eeseh . ,(ly:make-pitch -1 2 (* FLAT 3/2)))
(eesel . ,(ly:make-pitch -1 2 FLAT-LOWER))
(ees . ,(ly:make-pitch -1 2 FLAT))
(eesir . ,(ly:make-pitch -1 2 FLAT-RAISE))
(eesih . ,(ly:make-pitch -1 2 (/ FLAT 2)))
(eeh . ,(ly:make-pitch -1 2 (/ FLAT 2)))
(eel . ,(ly:make-pitch -1 2 NATURAL-LOWER))
(e . ,(ly:make-pitch -1 2 NATURAL))
(eir . ,(ly:make-pitch -1 2 NATURAL-RAISE))
(eih . ,(ly:make-pitch -1 2 (/ SHARP 2)))
(eiseh . ,(ly:make-pitch -1 2 (/ SHARP 2)))
(eisel . ,(ly:make-pitch -1 2 SHARP-LOWER))
(eis . ,(ly:make-pitch -1 2 SHARP))
(eisir . ,(ly:make-pitch -1 2 SHARP-RAISE))
(eisih . ,(ly:make-pitch -1 2 (* SHARP 3/2)))
(eisis . ,(ly:make-pitch -1 2 DOUBLE-SHARP))
(feses . ,(ly:make-pitch -1 3 DOUBLE-FLAT))
(feseh . ,(ly:make-pitch -1 3 (* FLAT 3/2)))
(fesel . ,(ly:make-pitch -1 3 FLAT-LOWER))
(fes . ,(ly:make-pitch -1 3 FLAT))
(fesir . ,(ly:make-pitch -1 3 FLAT-RAISE))
(fesih . ,(ly:make-pitch -1 3 (/ FLAT 2)))
(feh . ,(ly:make-pitch -1 3 (/ FLAT 2)))
(fel . ,(ly:make-pitch -1 3 NATURAL-LOWER))
(f . ,(ly:make-pitch -1 3 NATURAL))
(fir . ,(ly:make-pitch -1 3 NATURAL-RAISE))
(fih . ,(ly:make-pitch -1 3 (/ SHARP 2)))
(fiseh . ,(ly:make-pitch -1 3 (/ SHARP 2)))
(fisel . ,(ly:make-pitch -1 3 SHARP-LOWER))
(fis . ,(ly:make-pitch -1 3 SHARP))
(fisir . ,(ly:make-pitch -1 3 SHARP-RAISE))
(fisih . ,(ly:make-pitch -1 3 (* SHARP 3/2)))
(fisis . ,(ly:make-pitch -1 3 DOUBLE-SHARP))
(geses . ,(ly:make-pitch -1 4 DOUBLE-FLAT))
(geseh . ,(ly:make-pitch -1 4 (* FLAT 3/2)))
(gesel . ,(ly:make-pitch -1 4 FLAT-LOWER))
(ges . ,(ly:make-pitch -1 4 FLAT))
(gesir . ,(ly:make-pitch -1 4 FLAT-RAISE))
(gesih . ,(ly:make-pitch -1 4 (/ FLAT 2)))
(geh . ,(ly:make-pitch -1 4 (/ FLAT 2)))
(gel . ,(ly:make-pitch -1 4 NATURAL-LOWER))
(g . ,(ly:make-pitch -1 4 NATURAL))
(gir . ,(ly:make-pitch -1 4 NATURAL-RAISE))
(gih . ,(ly:make-pitch -1 4 (/ SHARP 2)))
(giseh . ,(ly:make-pitch -1 4 (/ SHARP 2)))
(gisel . ,(ly:make-pitch -1 4 SHARP-LOWER))
(gis . ,(ly:make-pitch -1 4 SHARP))
(gisir . ,(ly:make-pitch -1 4 SHARP-RAISE))
(gisih . ,(ly:make-pitch -1 4 (* SHARP 3/2)))
(gisis . ,(ly:make-pitch -1 4 DOUBLE-SHARP))
(aeses . ,(ly:make-pitch -1 5 DOUBLE-FLAT))
(aeseh . ,(ly:make-pitch -1 5 (* FLAT 3/2)))
(aesel . ,(ly:make-pitch -1 5 FLAT-LOWER))
(aes . ,(ly:make-pitch -1 5 FLAT))
(aesir . ,(ly:make-pitch -1 5 FLAT-RAISE))
(aesih . ,(ly:make-pitch -1 5 (/ FLAT 2)))
(aeh . ,(ly:make-pitch -1 5 (/ FLAT 2)))
(ael . ,(ly:make-pitch -1 5 NATURAL-LOWER))
(a . ,(ly:make-pitch -1 5 NATURAL))
(air . ,(ly:make-pitch -1 5 NATURAL-RAISE))
(aih . ,(ly:make-pitch -1 5 (/ SHARP 2)))
(aiseh . ,(ly:make-pitch -1 5 (/ SHARP 2)))
(aisel . ,(ly:make-pitch -1 5 SHARP-LOWER))
(ais . ,(ly:make-pitch -1 5 SHARP))
(aisir . ,(ly:make-pitch -1 5 SHARP-RAISE))
(aisih . ,(ly:make-pitch -1 5 (* SHARP 3/2)))
(aisis . ,(ly:make-pitch -1 5 DOUBLE-SHARP))
(beses . ,(ly:make-pitch -1 6 DOUBLE-FLAT))
(beseh . ,(ly:make-pitch -1 6 (* FLAT 3/2)))
(besel . ,(ly:make-pitch -1 6 FLAT-LOWER))
(bes . ,(ly:make-pitch -1 6 FLAT))
(besir . ,(ly:make-pitch -1 6 FLAT-RAISE))
(besih . ,(ly:make-pitch -1 6 (/ FLAT 2)))
(beh . ,(ly:make-pitch -1 6 (/ FLAT 2)))
(bel . ,(ly:make-pitch -1 6 NATURAL-LOWER))
(b . ,(ly:make-pitch -1 6 NATURAL))
(bir . ,(ly:make-pitch -1 6 NATURAL-RAISE))
(bih . ,(ly:make-pitch -1 6 (/ SHARP 2)))
(biseh . ,(ly:make-pitch -1 6 (/ SHARP 2)))
(bisel . ,(ly:make-pitch -1 6 SHARP-LOWER))
(bis . ,(ly:make-pitch -1 6 SHARP))
(bisir . ,(ly:make-pitch -1 6 SHARP-RAISE))
(bisih . ,(ly:make-pitch -1 6 (* SHARP 3/2)))
(bisis . ,(ly:make-pitch -1 6 DOUBLE-SHARP))
)
pitchnames = \arrowedPitchNames
#(ly:parser-set-note-names pitchnames)
% The symbols for each alteration
arrowGlyphs = #`(
(,DOUBLE-SHARP . "accidentals.doublesharp")
(,SHARP-RAISE . "accidentals.sharp.arrowup")
(,SHARP . "accidentals.sharp")
(,SHARP-LOWER . "accidentals.sharp.arrowdown")
(,NATURAL-RAISE . "accidentals.natural.arrowup")
( 0 . "accidentals.natural")
(,NATURAL-LOWER . "accidentals.natural.arrowdown")
(,FLAT-RAISE . "accidentals.flat.arrowup")
(,FLAT . "accidentals.flat")
(,FLAT-LOWER . "accidentals.flat.arrowdown")
(,DOUBLE-FLAT . "accidentals.flatflat")
)
% If the major scale is built from the tonic, dominant, and subdominant
% major chords, then the major scale involves arrowed accidentals.
% Defining the pitches in the major mode allows us to use it for
% key signatures.
justMajor = #`(
(0 . ,NATURAL)
(1 . ,NATURAL)
(2 . ,NATURAL-LOWER)
(3 . ,NATURAL)
(4 . ,NATURAL)
(5 . ,NATURAL-LOWER)
(6 . ,NATURAL-LOWER)
)
justMinor = #`(
(0 . ,NATURAL)
(1 . ,NATURAL)
(2 . ,FLAT-RAISE)
(3 . ,NATURAL)
(4 . ,NATURAL)
(5 . ,FLAT-RAISE)
(6 . ,FLAT-RAISE)
)
% keyAlterationOrder needs to know our pitches to typeset key signatures.
% Each object that draws accidentals needs to know our glyphs.
\layout {
\context {
\Score
keyAlterationOrder = #`(
(6 . ,FLAT) (2 . ,FLAT) (5 . ,FLAT) (1 . ,FLAT) (4 . ,FLAT) (0 . ,FLAT) (3 . ,FLAT)
(3 . ,SHARP) (0 . ,SHARP) (4 . ,SHARP) (1 . ,SHARP) (5 . ,SHARP) (2 . ,SHARP) (6 . ,SHARP)
(6 . ,FLAT-RAISE) (2 . ,FLAT-RAISE) (5 . ,FLAT-RAISE) (1 . ,FLAT-RAISE) (4 . ,FLAT-RAISE) (0 . ,FLAT-RAISE) (3 . ,FLAT-RAISE)
(3 . ,SHARP-LOWER) (0 . ,SHARP-LOWER) (4 . ,SHARP-LOWER) (1 . ,SHARP-LOWER) (5 . ,SHARP-LOWER) (2 . ,SHARP-LOWER) (6 . ,SHARP-LOWER) (6 . ,SHARP-RAISE)
(3 . ,NATURAL-RAISE) (0 . ,NATURAL-RAISE) (4 . ,NATURAL-RAISE) (1 . ,NATURAL-RAISE) (5 . ,NATURAL-RAISE) (2 . ,NATURAL-RAISE) (6 . ,NATURAL-RAISE)
(6 . ,NATURAL-LOWER) (2 . ,NATURAL-LOWER) (5 . ,NATURAL-LOWER) (1 . ,NATURAL-LOWER) (4 . ,NATURAL-LOWER) (0 . ,NATURAL-LOWER) (3 . ,NATURAL-LOWER)
)
\override KeySignature.glyph-name-alist = \arrowGlyphs
\override KeySignature.padding-pairs = #'(
(("accidentals.natural.arrowdown" . "accidentals.natural.arrowdown") . 0.5)
(("accidentals.natural.arrowdown" . "accidentals.sharp.arrowdown") . 0.2)
(("accidentals.natural.arrowdown" . "accidentals.flat.arrowdown") . 0.7)
(("accidentals.natural.arrowup" . "accidentals.natural.arrowup") . 0.5)
(("accidentals.natural.arrowup" . "accidentals.sharp.arrowup") . 0.2)
(("accidentals.natural.arrowup" . "accidentals.flat.arrowup") . 0.7)
(("accidentals.flat.arrowup" . "accidentals.flat.arrowup") . 0.3))
\override Accidental.glyph-name-alist = \arrowGlyphs
\override AccidentalCautionary.glyph-name-alist = \arrowGlyphs
\override TrillPitchAccidental.glyph-name-alist = \arrowGlyphs
\override AmbitusAccidental.glyph-name-alist = \arrowGlyphs
}
}
% MIDI implements microtones as a pitch bend, with one bend per channel.
% These lines below assign one channel to each Voice, in case there are
% multiple voices on a staff, so that each voice can have its correct
% pitch bend.From: Thomas Morley <address@hidden>
Sent: 13 December 2018 21:33 To: Luca Danieli Cc: David Kastrup; lilypond-user Subject: Re: Problem with accidentals.ly and Lilypond 2.19.82 Am Do., 13. Dez. 2018 um 21:59 Uhr schrieb Luca Danieli <address@hidden>:
> > Thank you David. > I tried to you convert-ly, but I got the following error: > > >convert-ly: error: accidentals.ly: Unable to determine version. Skipping > > what can I do? Then there is no \version-statement in the file. Insert the version it was originally was created for, probably temporary. Or do convert-ly --from=2.18.2 --to=2.19.82 file.ly Note, this will only show what would be changed . To actually do it, add -e Anyway, you can't expect much effect on guile-code, although I think we have a convert rule whch eliminates superfluos 'parser'-arguments for 2.19. > Luca Danieli <address@hidden> writes: > > > Hi there. > > > > I have got a problem. In my score, I have included the library accidentals.ly > > With Lilypond 2.19.82 I have the error: > > > > > > 163:2<0>: error: GUILE signaled an error for the _expression_ beginning here > > > > # > > > > (ly:parser-set-note-names parser pitchnames) > > > > If I change the line #(ly:parser-set-note-names parser pitchnames) > > with #(ly:parser-set-note-names pitchnames) > > > > the program compiles, but some notes present a X instead of the > > correct accidental. Well, first try convert-ly. If it's not sufficient. You need to post your accidental.ly, otherwise nobody can help. And please, _no_ inline images. Attach them, link to them, but not inline. Meanwhile I've got notifications from more and more companies dropping any plain text, doing _all_ via html: It lookes all bright and shiny like one brothel door next to more of them. The content is hidden, though. Going on my nerves. Thus I decided to disable _any_ html in mails. So I can't see inline images, and I will not allow them being displayed, again. Cheers, Harm |
b-bes.png
Description: b-bes.png
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