Henle apparently did their last plate engraving in about 2000, and were supposedly one of the last hold-outs when most others had been using computers for a while. So, when talking about the big resp
2013/7/16 Kieren MacMillan <address@hidden>: Hi Kieren, below my own approach. I defined two formatters for BarNumber, 1) using my version of \ellipse (though, it's nearly the same as David's). 2) us
Hi David, Thanks — that's very helpful! Here's what I have from there: \version "2.17" (ellipse-stencil (interpret-markup layout props text) thickness x-padding y-padding)) \markup \ellipse "2" \ma
Hello all, I'm getting close with my Henlepiano stylesheet(s) — see attached. Once this is ready, I'm going to document it and put it up on the Lilyblog. I think the last thing I need is an "oval
disadvantages (you need to make a lot of decisions early and then let the engraving stick with it). We are not really interested in mimicking those things that are a downside of plate engraving, and
Urs Liska wrote: "Urtext" is a fiction anyway in 95% of the cases. What would you consider "Urtext" when you have a manuscript, a fair copy, an original edition controlled by the composer, a personal
Hi Peter, Agreed. The Henle Preface states that Beethoven's fingering is indicated in italics — I can (and will) include those in the Beethoven_Op10No3_notes.ily file, and other fingerings in their
Urs Liska wrote: No, these don't, but I think that fingerings in itself _do_ belong in there, and if the original ones from Henle are copyrighted ... It seems to me that the only fingerings properly
No, these don't, but I think that fingerings in itself _do_ belong in there, and if the original ones from Henle are copyrighted ... Kieren MacMillan <address@hidden> schrieb: Hi Urs (et al.), But I
now I've finally laid hand on my copy of Henle's Beethoven Sonatas (Just to be sure: it's a two volume edition, number 32, (c) 1952/80, the preface is signed with 'Winter 1975/76') And finally: Shou
Well, that's a bit like making a Bauhaus impression by picking the right tapestry: the main responsibility lies with the placement and spacing algorithms, and the stylesheets then have to combine wit
Am 06.08.2013 01:26, schrieb Kieren MacMillan: Hi Urs (et al.), I'm probably biased but I find the appearance of the 'old' score infinitely superior. Immediately, one notices [in the newer version] w
Hi Urs (et al.), Immediately, one notices [in the newer version] what a poor choice it is to have the triplet number (over the middle of the triplet) above, as it is easily confused with the fingerin
Hi Urs (et al.), I have a huge number of "editorial markings", mostly entered by my teacher at the time. I would be happy to have these in a separate file to include as necessary, but they don't (IMO
So we are missing markup commands. I am not really convinced that factoring line-thickness leads to desirable results, but it's what "box" does too. What do you think about proposing a patch? Assumin