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From: | Auto mailings of changes to Lily Issues via Testlilyissues-auto |
Subject: | [Lilypond-auto] [LilyIssues-auto] [testlilyissues:issues] #5302 Let \tweak on event chords manipulate its elements |
Date: | Sun, 15 Apr 2018 11:58:26 -0000 |
Pushed to staging as
commit e09dc5acc4c80ba2c39f2ba3a9b7732f3e5a101d
Author: David Kastrup address@hidden
Date: Sat Apr 7 22:47:53 2018 +0200
Issue 5302/3: Let \tweak on event chords manipulate its elements This makes \tweak on event chords actually get heeded and creates reasonably predictable behavior by tweaking the rhythmic elements (but not chord-wide articulations). It also passes tweaks transparently through music wrapper expressions (like transpositions, context changes and other). To achieve this, it creates and uses a get-tweakable-music function that will deliver a list of primary music expressions tweaks should be applied to. This function is also used in the definition of \once to decide when a warning for misapplication of \once might be called for.
commit 2827a6353a11414b139d93c4fdbd8fce62fb067f
Author: David Kastrup address@hidden
Date: Sun Apr 8 19:16:39 2018 +0200
Issue 5302/2: Refactor \once Separates the warning action of \once and its effect on overrides in order to reduce the number of surprises.
commit a8ecda697866c8e22b3c11a1728918929db26777
Author: David Kastrup address@hidden
Date: Sat Mar 31 20:49:07 2018 +0200
Issue 5302/1: Let \single use \tweak internally This is less efficient than directly manipulating the @samp{tweaks} property but closer follows the semantics of @code{\tweak}, facilitating extensions to it.
[issues:#5302] Let \tweak on event chords manipulate its elements
Status: Fixed
Labels: Fixed_2_21_0
Created: Sun Apr 08, 2018 06:50 PM UTC by David Kastrup
Last Updated: Sun Apr 15, 2018 09:14 AM UTC
Owner: David Kastrup
Let \tweak on event chords manipulate its elements
This makes \tweak on event chords actually get heeded and creates
reasonably predictable behavior by tweaking the rhythmic elements (but
not chord-wide articulations). It also passes tweaks transparently
through music wrapper expressions (like transpositions, context
changes and other).
To achieve this, it creates and uses a get-tweakable-music function
that will deliver a list of primary music expressions tweaks should be
applied to.
This function is also used in the definition of \once to decide when a
warning for misapplication of \once might be called for.
Also contains commits:
Refactor \once
Separates the warning action of \once and its effect on overrides in
order to reduce the number of surprises.
Let \single use \tweak internally
This is less efficient than directly manipulating the @samp{tweaks}
property but closer follows the semantics of @code{\tweak},
facilitating extensions to it.
http://codereview.appspot.com/344770043
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