diff --git a/Documentation/notation/contemporary.itely b/Documentation/notation/contemporary.itely
index 595eb07..aad01c8 100644
--- a/Documentation/notation/contemporary.itely
+++ b/Documentation/notation/contemporary.itely
@@ -80,6 +80,87 @@ addressed in @ref{Automatic accidentals}.
 @node Contemporary approaches to rhythm
 @subsection Contemporary approaches to rhythm
 
+This section highlights issues that are relevant to the
+notation of rhythm in contemporary music.
+
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+* References for contemporary approaches to rhythm::
+* Tuplets in contemporary music::
+* Contemporary time signatures::
+* Extended polymetric notation::
+* Beams in contemporary music::
+* Bar lines in contemporary music::
address@hidden menu
+
+
address@hidden References for contemporary approaches to rhythm
address@hidden References for contemporary approaches to rhythm
+
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address@hidden Compound time signatures are addressed in @ref{Time signature}.
+
address@hidden Basic polymetric notation is addressed in
address@hidden notation}.
+
address@hidden Feathered beams are addressed in @ref{Feathered beams}.
+
address@hidden Mensurstriche barlines (barlines between staves only) are
+addressed in @ref{Grouping staves}.
+
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+
+
address@hidden Tuplets in contemporary music
address@hidden Tuplets in contemporary music
+
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+    Extended discussion of modern tuplets, including
+    non-standard ratios, nested tuplets and customising
+    the appearance of tuplets (ratios, note values etc.)
+    Also how to provide an ossia RhythmicStaff to help
+    players break down a complicated tuplet.
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+
+
address@hidden Contemporary time signatures
address@hidden Contemporary time signatures
+
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+    Extended discussion of compound time signatures
+    including Graham P.'s work; non-standard time
+    signatures such as 7/10, 5/6; alternative
+    notations such as Orff-esque 4/note, placing a
+    single time signature across multiple staves, or
+    placing time signatures at the top of StaffGroups
+    or systems rather than in the stave.
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+
+
address@hidden Extended polymetric notation
address@hidden Extended polymetric notation
+
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+    Extended examples e.g. different instruments
+    or ensembles with independent tempi
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+
+
address@hidden Beams in contemporary music
address@hidden Beams in contemporary music
+
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+    Beaming practises, stemlets, Boulez-esque displaying
+    of beamed notes with flags
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+
+
address@hidden Bar lines in contemporary music
address@hidden Bar lines in contemporary music
+
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+    Mensurstriche barlines, tick barlines, etc.
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+
 
 @node Graphical notation
 @subsection Graphical notation