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Re: addendum to \break in examples

From: Valentin Villenave
Subject: Re: addendum to \break in examples
Date: Tue, 21 Dec 2010 15:03:24 +0100

On Tue, Dec 21, 2010 at 12:33 AM, Graham Percival
<address@hidden> wrote:
> % bad:
>  c2 d e d | c d e d | c d e d
> % good:
>  c2 d e d | e f g f | g a b a
> % or even:
>  c2 d e d | e f g f | g f e d
>  \break
>  c2 d e d | e f g f | g c, e d | c1

Why not use quarter-notes?

> I don't encourage accidentals or dotted rhythms, but there's a lot
> that we can do with simple melodies in C major (or A minor) to
> make it easier for people to recognize a particular bar of input
> to a particular bar of output.

I'm not sure I understand, but: are you suggesting that we match
line-breaks in the input with line-breaks in the output?

Speaking of simple melodies, you might disapprove of my latest doc addition :-)


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