Re: Music glyph design choices

[Abraham Lee]

On 8/10/2015 10:32 AM, tisimst wrote:
> On 8/9/2015 10:38 PM, Werner LEMBERG [via Lilypond] wrote:
> > The same as with the double-flat: we need evidence from real-world
> > scores to decide this.
> >
> > Do you have time to check this?
> A quick scan through IMSLP:
>
> 1. (Breikopf & Hartel, 1880) Chopin, Polonaise in B-flat minor:
> Identical flats
> 2. (Peters, 1895) Grieg, Piano Concerto in A-minor (for piano 4 hands):
> Identical flats
> 3. (Universal, 1920) Bartok, Studies for Piano, Op. 18: Identical flats
>
> This is in way definitive, but seems like nice evidence for using
> identical flats. I'd be very interested in seeing a score where they
> were intentionally /not/ identical.
>
> - Abraham

Here's another one:

(Barenreiter, 1970) Liszt, Études d'exécution transcendante, S.139: 
Identical flats