Re: Fix documentation of \once \partcombine* (issue 280940043 by address@hidden)

[dak]

Reviewers: Trevor Daniels,


https://codereview.appspot.com/280940043/diff/1/Documentation/notation/simultaneous.itely
File Documentation/notation/simultaneous.itely (right):

https://codereview.appspot.com/280940043/diff/1/Documentation/notation/simultaneous.itely#newcode1030
Documentation/notation/simultaneous.itely:1030: case the
@code{\partcombine} function can be overriden with one of the
On 2015/12/13 12:04:02, Trevor Daniels wrote:
> May as well correct this while you are there:
> "overridden"

Will fix but not load up a new patch for review for this alone.

Description:
Fix documentation of \once \partcombine*

This is an oversight stemming from issue 4131.

Please review this at https://codereview.appspot.com/280940043/

Affected files (+13, -14 lines):
  M Documentation/notation/simultaneous.itely


Index: Documentation/notation/simultaneous.itely
diff --git a/Documentation/notation/simultaneous.itely  
b/Documentation/notation/simultaneous.itely
index  
c96837e5224cb5593e6f6ef281bf8ebe44d10a3d..bf07e303ce0d6eb75388255fd537af443830efae  
100644
--- a/Documentation/notation/simultaneous.itely
+++ b/Documentation/notation/simultaneous.itely
@@ -1027,37 +1027,36 @@ long passages of music even if some of the notes  
are the same in both
 voices, and could just as easily be printed as unison. Combining notes
 into a chord, or showing one voice as solo is, therefore, not ideal as
 the @code{\partcombine} function considers each note separately. In this
-case the @code{\partcombine} function can be overriden with the
-following commands:
-
-Commands ending in @address@hidden apply only to the next note in the
-music expression.
+case the @code{\partcombine} function can be overriden with one of the
+following commands.  All of the commands may be preceded with
address@hidden in order to have them only apply to the next note in
+the music expression.

 @itemize
 @item
address@hidden and @code{\once \partcombineApart} keep the
address@hidden keeps the
 notes as two separate voices, even if they can be combined into a chord
 or unison.

 @item
address@hidden and @code{\once \partcombineChords} combine the
address@hidden combines the
 notes into a chord.

 @item
address@hidden and @code{\once \partcombineUnisono} combine
address@hidden combines
 both voices as @qq{unison}.

 @item
address@hidden and @code{\once \partcombineSoloI} print only
-voice one, and mark it as a @qq{Solo}.
address@hidden prints only
+voice one, and marks it as a @qq{Solo}.

 @item
address@hidden or @code{\once \partcombineSoloII} print only
-voice two and mark it as a @qq{Solo}.
address@hidden prints only
+voice two and marks it as a @qq{Solo}.

 @item
address@hidden and @code{\once \partcombineAutomatic} end
-the functions of the commands above, and revert back to the standard
address@hidden ends
+the functions of the commands above, and reverts back to the standard
 @code{\partcombine} functionality.
 @end itemize