Re: Question about voices

[Carlos]

I have been making a lot of questions lately, let's see if I can provide
some anwers.

One way to do in the score context when you have a few bars with two or more
voices you do is ( I am using Spanish note names, but I think they are very
similar in French)

\score {
    \context PianoStaff
        \notes
    < \context Staff = derecha {
        \time 9/8
        \clef violin
        \key sol \major
        \relative do' {
do re mi re do si la-2 si sol-1
< \context Voice = VA { \voiceOne si'2.^1^#'(finger"4-3") do4. re2. re4.
do2. si4. }
\context Voice = VB { \voiceTwo sol2.\mf sol4. la4. sol4. fas4. sol4. la4.
sol4. }
>
do re mi re do si la-2 si sol-1

And so on.

I hope this helps.



----- Original Message -----
From: "Laurent Duperval" <address@hidden>
To: "LilyPond Users List" <address@hidden>
Sent: Saturday, August 17, 2002 6:46 PM
Subject: Question about voices


> Hi,
>
> I'm trying to compose a score with two voices on one staff. I like to
> separate my source file to put a comment each time I start a new staff
> line (I don't know the correct term -- I just listen to music, I don't
> really understand it). Any way, it worked fine with other scores but not
> with this one, with multiple voices. I'm attaching it here in hoes to
> have ananswet to these two questions:
>
> - How can I separate the source so that it's easy to see each section of
>   the input. Since I'm transcribing this from existing sheet music, I
>   like to put each measure on a separate line and put comments between
>   staffs. Works well with one voice but not two.
>
> - Why do I have a second empty staff show up?
>
> Thanks,
>
> L
>
> --
> Laurent Duperval <mailto:address@hidden>
>
> Murphy's Laws for Frequent Flyers
> 10. The less carry-on luggage space available on an aircraft, the more
>     carry-on luggage passengers will bring aboard.
>                                                           -