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From: | Maurício |
Subject: | Re: tie problem |
Date: | Sun, 17 Sep 2006 18:42:41 -0300 |
User-agent: | Thunderbird 1.5.0.5 (X11/20060728) |
I believe this approach could also work properly:<< <c d g>1\arpeggio~ \\ s1 >> | << <c d g>1\fermata \\ {r2 r4 b'32 (c d e f g a b)} >>
i.e., a second "space" voice is added to the first compass. However, don't take it as example of good style, since I've just started to learn Lily.
Best, Maurício Rainer Hahnekamp wrote:
Hi Kieren, thank you very much vor answer. (...) Greetings, Rainer Kieren MacMillan wrote: (...)
I've following code: <c d g>1\arpeggio ~ | << <c d g>1\fermata \\ {r2 r4 b'32 (c d e f g a b)} >> According to the documentation the two "<c d g>" should be tied. Unfortunately this is not the case.
(...) using \new Voice -- this ensures that anything before the \new Voice command is considered part of the Voice that existed before the <<>> block began, and so the tie knows where to terminate. Does that make sense? Or, at the very least, does it explain why you're seeing what you're seeing? =) Best regards, Kieren.
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