Re: overlaying as a tool for annotating entry points in orchestral parts (was Re: tempo for both conductor's score and parts)

[Reinhold Kainhofer]

-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1

Am Mittwoch, 10. September 2008 schrieb Daryna Baikadamova:
> Thanks again for the example you gave for overlaying the bar and tempo
> settings.
>
> Now I dream up another application:  For orchestral parts with long
> multi-bar rests, it is often difficult for the player to count exactly when
> the rests end.  So would it be possible to include a small section of the
> main melody immediate before the instrument resumes as small notes in an
> overlay part to hint the player?  This is often done in commercial scores
> and in this way, these small notes will not get into the way of the
> conductor's score.

These notes are called "cue notes":
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Writing-parts.html#Formatting-cue-notes

If you use \transposition in your transposed instruments, \cueDuring will 
automatically display the cue notes in the correct transposed concert 
pitch...

Cheers,
Reinhold

- -- 
- ------------------------------------------------------------------
Reinhold Kainhofer, Vienna University of Technology, Austria
email: address@hidden, http://reinhold.kainhofer.com/
 * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
 * K Desktop Environment, http://www.kde.org, KOrganizer maintainer
 * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
-----BEGIN PGP SIGNATURE-----
Version: GnuPG v1.4.6 (GNU/Linux)

iD8DBQFIyDxlTqjEwhXvPN0RAhdoAKC4VuFvqLNMxC2xny2Q1sZraFUuDwCfYI7p
PxcpNDmnQJ3Q4DqDI58K1K8=
=N+hG
-----END PGP SIGNATURE-----