Re: glissando up from no note to a note

[Brett Duncan]

Chip wrote:
> Robin Bannister wrote:
> > Chip wrote:
> > > it just resulted in messed up measures
> >
> > A judicious use of time distortion may help you here.
> >
> > \transpose c c'{
> >  \hideNotes g,32\glissando \unHideNotes c'4*7/8  c'4 c'4 r4 |
> >  \hideNotes c''32\glissando \unHideNotes c'4*7/8  c'4 c'4 r4 |
> >  a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
> >  ees8->[ c8]-> r4 r2 |
> > }
> >
> > And then patiently adjust padding and minimum-length ...
> >
> > Cheers,
> > Robin
> Been experimenting with the code found in the snippets library and seems 
> that where ever I put the \cadenzaOff I get different, incorrect 
> results. Sometimes the first eight note turns into a quarter note, 
> sometimes it's an eight note, but always the measure and the one that 
> follows are all one measure. I've pasted the code to the work in 
> progress below.

Is there a particular reason for having the cadenza, as opposed to using 
code like that provided by Robin?