%{ A LINE % n v PRECEDES MUSIC INPUT FOR EACH GROUP OF UP TO FIVE BARS; IN THAT LINE n IS THE NUMBER OF THE FIRST OF THOSE BARS AND v (VOICE/S) IS EITHER M (MELODY), OU (OTHER UPPER) OR L (LOWER). EACH OF THE SUCCEEDING NOTE-INPUT LINES CONTAINS INPUT FOR A SINGLE BAR. ANY ANACRUSIS BAR IS DENOTED % 00 v . %} \version "2.12.2" \paper { paper-width = 213\mm line-width = 196\mm left-margin = 17\mm first-page-number = #6 print-first-page-number = ##t between-system-space = 22\mm } melody = \relative c'' { % 01 M \autoBeamOff s1 s c2^>_\markup \italic unison f,4 g8 a bes4. bes8 bes a g f\break s1 } otherupper = \relative c'' { % 1 OU \stemUp 2^\markup { "Maestoso (MM "\note #"4" #0.8" = 98)" }\once \override TextScript #'extra-offset = #'( -15.3 . 2.5 ) 8^\markup { \fontsize #8 "4 " \fontsize #4 { "Ephesians 1, v.3" \char #2014 14 } \hspace #29 \fontsize #1.5 Music \char #169 "1997 D.P.Biddiscombe" } \once \override TextScript #'extra-offset = #'( -8.5 . -0.5 ) r_\markup \italic "piano or organ" \stemNeutral << { e c c a a f f16 g a bes } \\ { a4 d, bes d } >>\bar "||" \stemDown 2 d, f4 g f2 } lower = \relative c { % 01 L 2 8 r 4 \once \override TextScript #'extra-offset = #'( -1 . 1.5 ) ^\markup\italic rall. << { c' } \\ { g,8 ges } >> \once \override TextScript #'extra-offset = #'( 0 . 0.5 ) f2_>^\markup \italic "a tempo" 4 } text = \lyricmode { Praise be to the God and Fa -- ther of our } \score { \new GrandStaff << \new Staff << \clef treble \key f \major \override Staff.TimeSignature #'style = #'() \time 4/4 \override Staff.BarLine #'hair-thickness = #0 \new Voice = "singer" { \voiceOne \melody } \new Voice = "nonvocal" { \voiceTwo \otherupper } \new Lyrics \lyricsto "singer" \text >> \new Staff << \clef bass \key f \major \override Staff.TimeSignature #'style = #'() \time 4/4 \lower \override Staff.BarLine #'hair-thickness = #0 >> >> \layout { \context { \GrandStaff \accepts "Lyrics" } \context { \Lyrics \consists "Bar_engraver" } } }