Nick,
-- Phil Holmes
----- Original Message -----
Sent: Wednesday, December 15, 2010 1:59
AM
Subject: Re: Specifying bezier curve for
tie across line break collides withclef symbol
On 14/12/10 15:24, Nick Payne wrote:
This
piece in several voices (Bach's WTC book 1 prelude 4 transcribed for guitar)
has a tie between the F-sharps at the end of bar 36 and at the beginning of
bar 37, but because this tie is across a line break, Lilypond repeats the
sharp symbol (which otherwise wouldn't happen) and displaces the second part
of the tie downwards on the following line so that it appears to be a tie to
the half note B (nobezier.png).
If I attempt to force the tie to the
correct position by specifying its bezier points, then the start and end
point are correct, but a) the tie does not continue almost to the bar line
as it otherwise would, and b) the continuation of the tie on the 2nd line
passes through the clef symbol (bezier.png). I can fix it by forcing a line
break before bar 36, so that the tie is not broken across two staves, but
this then means that the preceding bar has a complete line to itself and
looks very sparse and rather out of place. Is there any other solution that
anyone can suggest.
Nick
Here's a small example that demonstrates the problem. The
lower of the two ties between bars 2 and 3 appears to go to the wrong note,
and if you uncomment the override for the tie control points to get it
correctly positioned vertically, the continuation of the tie in bar 3 starts
at the left of the clef symbol.
\version
"2.13.43"
#(set-global-staff-size 24)
\relative c''
{ \time 6/4 <<
{ a'8 g fis e dis e \acciaccatura e
d4. c'8 b4 | c4 r2 s2.
| dis8 b c b a g b2\rest <e
gis,>4 | } \\ {
fis,,,8 e' dis e fis b, c4. g8 a4 |
dis2 r4 s2. | b2
r4 r2. | } \\ {
fis4 s2 s2. | s8 e'' fis e g fis ~
fis4. gis8 a4 ~ | a4 c,2\rest s2.
| } \\ { s1.
| c8\rest b a g a c dis4. e,8
% \once \override Tie
#'control-points = #'((1 . -2) (2.5 . -2.5) (3.5 . -2.5) (5 . -2))
fis4 ~ |
fis4 s2 fis'8 e dis cis dis b | }
>> }
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