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Re: score transposition problem
From: |
Christopher R. Maden |
Subject: |
Re: score transposition problem |
Date: |
Wed, 13 Apr 2011 09:56:00 -0400 |
User-agent: |
Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.9.2.14) Gecko/20110223 Thunderbird/3.1.8 |
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On 04/13/2011 00:15 AM, Tom Cloyd wrote:
> I want to arrange a Bach chorale for guitar. My score for the chorale is
> a nightmare. I can barely read bass clef, and can do that in my mind,
> but the scores for soprano, alto, and tenor all use C-clefs, and in a
> way that each score must be read in a unique way. I've never before seen
> a score like this. The notes fit nicely on the staff, but I cannot read
> them without a lot of mental gymnastics.
I’m afraid there’s not much for it except to learn to read them (these
are probably tenor and alto clefs). As others have pointed out, a
simple transposition is going to produce weird effects. And speaking as
a trombone player who had to learn tenor clef to play orchestral stuff,
you actually do get used to it fairly quickly. If it’s giving you
trouble, use a paper copy with the line-notes penciled in (e.g., D F A C
E for tenor clef) at the start of the line.
I find that I mostly think in relative terms when reading tenor; e.g.,
the first note is a C, then there’s a third so it’s an E, etc.
You could also try using some math as you go along: in the tenor clef,
every note is one “notch” high relative to the treble clef, so a note on
the 4th line should be moved down one to the 3rd space, which is a
treble C. (You’ll be an octave off, but that is a much easier problem
to solve.) For the alto clef, move the note up a notch for the treble
note value.
HTH,
crism
- --
Chris Maden, text nerd <URL: http://crism.maden.org/ >
“Those in power write the history, while those who suffer
write the songs.” — Frank Harte
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- Re: score transposition problem,
Christopher R. Maden <=