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Re: An idea for a systematic development of a large score.
From: |
Sarah k Alawami |
Subject: |
Re: An idea for a systematic development of a large score. |
Date: |
Thu, 16 May 2013 19:03:48 -0700 |
does not sound like a bad idea. I'm gong to be working on an arrangement of oh
come equal and hope to get it done by November or so. it's a surprise for a
very special friend of mine who is let's say very fragile in health and I want
to give it to her choir. I'm thinking of writing all the parts including the
piano part f in separate files. As I don't use frescoboldi due to its
inaccessibility I have to use texshop and lily pond. Tha'ts fine. and I hope
this can work and be readable and singable by all members of this very special
choir.
Since I"m not a pianist that [part will not be too easy but I can tinker a bit
and come up with something.
Thanks for the suggestion and I might start on this as soon as I finish my
proficiency and other tests coming up tomorrow.
This time I do want this score performed hopefully this year if she will let me.
If I can get it done before november that would be good.
Take care all and again thanks for the idea.
On May 16, 2013, at 6:26 PM, wjm <address@hidden> wrote:
> Greetings!
> After watching Sarah K Alawami's work on a score recently on this user-list,
> but not having the musical and compositional skills to make constructive
> remarks, and after reading the thread entitled 'stylesheet structure', it
> occurred to me that an approach might be found which might make the whole
> process a little less opaque.
>
> After a lot of fiddling around I came up with this schema:-
>
> Write separate files for each instrument, containing only its musical
> elements, and name them 'instrument'.ily, signifiying that they are not to be
> compiled directly by Lilypond.
> Write separate files for each instrument, "\include"ing the relevant .ily
> file, and with enough information to allow Lilypond to process it correctly.
> (This would enable 'proofing' of each instrument for musical correctness
> concerning octaves, barchecks, etc., without having to deal with the complete
> score).
> Write a separate file for the version, paper, header, sections, naming it
> version-paper-header.ily
> Write a separate file for the global constants; time, beat, key, etc.,
> -structure, naming it global.ily
> Write an overarching 'score' file "\include"ing all the relevant .ily files,
> and containg any additional information for the final processing by Lilypond,
> naming it 'musical-title'.ly
> This approach is well-facilitated in Frescobaldi, using the point-and-click
> correlation between the output pane and the relevant input file. (Frescobaldi
> calls up the relevant .ily file even if it is not loaded at the time - a very
> convenient feature).
> Whether this would work well for someone with severe visual impairment or
> other disability, I don't know.
>
> Regards,
> Bill
>
> This is how a work might be structured:-
> +++++++++++++++++
> global.ily
> version-paper-header.ily
> +++++++++++++++++
> bass.ily
> bassoon.ily
> cello.ily
> clarinet.ily
> drum.ily
> flute.ily
> horn.ily
> oboe.ily
> score.ily
> trumpet.ily
> viola.ily
> violin-ii.ily
> violin-i.ily
> +++++++++++++++++
> bass.ly
> bassoon.ly
> cello.ly
> clarinet.ly
> drum.ly
> flute.ly
> horn.ly
> oboe.ly
> trumpet.ly
> viola.ly
> violin-ii.ly
> violin-i.ly
> +++++++++++++++++
> fullscore.ly
> +++++++++++++++++
>
> Example files are as follows:-
> global.ily ---
> ==============
> global=
> {\time 12/8
> \tempo 4. = 100
> \key g \major
> }
> ==============
> version-paper.ily ---
> ==============
> \version "2.17.15"
> \header
> {
> %whatever is wanted from the full header definition as in the Lilypond
> documentation...
> }
>
> #(set-global-staff-size 17)
> \paper
> {
> indent = 30 % space for instrumentName
> short-indent = 15 % space for shortInstrumentName
> }
> ==============
> a music file ---
> ==============
> \include "version-paper.ily"
> \include "global.ily"
> \include "bass.ily"
>
> \score {
> { \global \bassMusic }
> \layout { }
> }
> ==============
> the 'score' file ---
> ==============
> \score {
> <<
> \new StaffGroup = "StaffGroup_woodwinds"
> <<
> \new Staff = "Staff_flute"
> {
> \set Staff.instrumentName = #"Flute"
> \global \fluteMusic
> }
> \new Staff = "Staff_clarinet"
> {
> \set Staff.instrumentName =
> \markup { \concat { "Clarinet in B" \flat } }
> \transposition bes
> \global \transpose bes c' \clarinetMusic
> }
> \new Staff = "Staff_bassoon"
> {
> \set Staff.instrumentName = #"Bassoon"
> \global \bassoonMusic
> }
> >>
> \new StaffGroup = "StaffGroup_brass"
> <<
> \new Staff = "Staff_hornI"
> {
> \set Staff.instrumentName = #"Horn in F"
> \transposition f
> \transpose f c' \global \hornMusic
> }
> \new Staff = "Staff_trumpet"
> {
> \set Staff.instrumentName = #"Trumpet in C"
> \global \trumpetMusic
> }
> >>
> \new RhythmicStaff = "RhythmicStaff_percussion"
> <<
> \set RhythmicStaff.instrumentName = #"Percussion"
> \global \percussionMusic
> >>
>
> \new StaffGroup = "StaffGroup_strings"
> <<
> \new StaffGroup = "StaffGroup_violins"
> <<
> \new Staff = "Staff_violinI"
> {
> \set Staff.instrumentName = #"Violin I"
> \global \violinIMusic
> }
> \new Staff = "Staff_violinII"
> {
> \set Staff.instrumentName = #"Violin II"
> \global \violinIIMusic
> }
> >>
> \new Staff = "Staff_viola"
> {
> \set Staff.instrumentName = #"Viola"
> \global \violaMusic
> }
>
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