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Re: Sharing: "Capone," by Rachael [pdf]
From: |
Janek Warchoł |
Subject: |
Re: Sharing: "Capone," by Rachael [pdf] |
Date: |
Mon, 19 Aug 2013 22:12:36 +0200 |
Hi Rachael,
2013/7/9 Rachael Thomas Carlson <address@hidden>:
> Hello All:
>
> I finished my first transcription with Lilypond a couple of days ago. I am
> proud of it. I have realized a couple of flaws since finishing it but since I
> do not feel like writing another 5K lines of code for this piece I have
> decided that it is done.
Congratulations on finishing the score!
> I have found this community extraordinarily helpful. I am excited to
> continue working with all of you! And I must say, I have used Finale in
> the past but Lilypond surpasses it in almost every way. I have talked
> with a fellow fingerstyle buddy of mine who also does transcriptions
> (with Finale, though) and he gripes about some of the same stuff but
> because he is not able to manipulate how Finale interprets what he is
> attempting to tell it he ends up spending many hours attempting to
> input something that could be input within an hour with Lilypond (and
> emacs/vim).
Thanks for your kind words!
I have one question: in measure 36 (lower staff), there are two eight
notes followed by a half-note chord. One eight note is connected with
the chord using a tie, and the other one using a slur. Shouldn't both
use ties? I don't see any rearticulation in the tablature.
cheers,
JAnek