\version "2.18.2"

\include "LilyJAZZ.ily"
\include "ignatzek-jazz-chords.ily"
%\include "AccordsJazzDefs.ily"
\pointAndClickOff

\header {
  title = \markup\concat { 
    "This ain" 
    \hspace #.5
    \raise #3
    \scale #'(.6 . 1.2)
    \jazzglyph #"scripts.staccatojazz"
    \hspace #.7 
    "t Music," 
  }
  subtitle = "a subtitle,"
  subsubtitle = "(another subtitle called subsubtitle)."
  composer = "A Composer"
  arranger = "An Arranger"
  poet = "A Poet"
}

\score {
  \new StaffGroup <<
    \new Staff 
    \relative c'
    {
      \jazzOn
      \set countPercentRepeats = ##t
      \key bes \major
      \numericTimeSignature
      \mark\jazzTempoMarkup Tempo c4. "60"
      \repeat percent 7 {
        <f bes d>4 <f bes d>4 <g bes ees>4 <g bes ees>4 |
      }
      \break
      \relative c''
      \repeat percent 2 {
        \ottava #1
        \set Staff.ottavation = \markup\override #'(font-name . "LilyJAZZText") "8a Alta"
        <f bes d>4 \mp \< <f bes d>4 <g
        bes ees>4 <g bes ees>4 \! |
        <aes bes f>4 \mf \>
        \ottava #0
        <aes, bes f>4 <g bes ees>4 <g bes ees >4 \! |
      }
      s
     }
     \new Staff {
      \jazzOn
      \set countPercentRepeats = ##t
      \clef F
      \numericTimeSignature
      \key bes \major
      \repeat percent 7 {
        <f bes d>4 <f bes d>4 <g bes ees>4 <g bes ees>4 |
      }
      \repeat percent 2 {
        <f bes d>4 <f bes d>4 <g
        bes ees>4 <g bes ees>4 |
        <aes bes f>4 <aes bes f>4 <g bes ees>4 <g bes ees >4|
      }
      s
    }
  >>
  \header {
    piece = "A Piece"
    opus = "Op.1"
  }
  \layout {
    ragged-last = ##t
    \context { 
      \Score
      % revert Real book options :
      %\revert Clef.break-visibility	
      %\revert KeySignature.break-visibility
      %\revert Score.BarNumber.stencil
    }
  }
}

\score {
  <<
    \new ChordNames
    \chordmode {
      d1:7 s c:7/d s
    }
    \new Voice \with { \consists "Pitch_squash_engraver" }
    {
      \jazzOn
      \set Staff.instrumentName = #"Guitar"
      \clef "G_8"
      \key d \major
      \mark\markup "(Bright Latin)"
      \numericTimeSignature
      \set fingeringOrientations = #'(left)
      \showStartRepeatBar
      \bar "[|:"
      \improvisationOn
      \override Voice.Stem.stencil = ##f
      \repeat volta 2 {
        \repeat unfold 12 { c4 } 
      }
      \alternative {
        { 
          c4 c
          \improvisationOff
          \revert Voice.Stem.stencil
          r8 <d'-1\3>4 <cis'-4\4>8 
          \bar ":|]" 
        }
        { 
          % v2.18 workaround => http://lilypond.1069038.n5.nabble.com/Reducing-the-second-VoltaBracketSpanner-length-tt161852.html
          %\once\override Score.VoltaBracket.shorten-pair = #'(1 . 0)
          d'1 
        }
      }
      \bar "|."
    }
  >>
  \header {
    piece = \markup\concat { 
      "C" 
      \hspace #.2
      \raise #2
      \scale #'(.6 . 1.2)
      \jazzglyph #"scripts.staccatojazz"
      \hspace #.4  
      "Est What" 
    }
  }
  \layout {
    ragged-right = ##t
    indent = 10
  }
}

\layout {
  \context {
    \Score
    metronomeMarkFormatter = #jazz-metronome-markup
  }
}

\relative c'' {
  \jazzOn
  \time 2/2
  \compressFullBarRests
  R1*2 | R1*5 | R1*9
  \override MultiMeasureRest #'expand-limit = #3
  R1*2 | R1*5 | R1*9
}

%=> http://lsr.di.unimi.it/LSR/Item?id=753
ExampleMusic = {
  \jazzOn
  \numericTimeSignature
  \time 2/2
  \override Score.MultiMeasureRest.minimum-length = #20 
  \inlineMMRN R1*4 
  \inlineMMRN R1*6 
  \inlineMMRN R1*8 
  \inlineMMRN R1*2 
}

{
  \set Score.skipBars = ##t
  \override Score.MultiMeasureRest.expand-limit = 1
  \ExampleMusic
}

% Harm's test
%=> http://lilypond.1069038.n5.nabble.com/RE-Problems-with-LilyJAZZ-ily-td152000.html
<<
  %% "Text_engraver" is inserted for some comments only, delete it
  %% and \notemode { ... }
  \new ChordNames \with { \consists "Text_engraver" }
  \chordmode {
    c2:5- d:sus4.9+ e f g a
    \notemode { s^\markup \fontsize #-3 "Some crazy testing:" }
    b:m5-.6+.7.9-.11+.13+
  }

  \new Staff
  \relative c' {
    \jazzOn
    \key cis\major
    ces dis e f g a b b
  }
>>

\new Staff
  \new Voice \with {
    \consists "Pitch_squash_engraver"
  }
  \relative c' {
    \jazzOn
    \numericTimeSignature
    \tempo "Tempo 1" 16=120-140
    e8 e g a a16( bes) a8 g
    \improvisationOn
    e8 ~
    \tempo "Tempo 2" 32 = 168
    e2 ~ e8 f4 f8 ~
    f1 ~
    f2
    \improvisationOff
    \override Score.MetronomeMark.font-name = "Purisa"
    \set Score.metronomeMarkFormatter = #my-format-metronome-markup
    \tempo "Tempo 1" 32=180-200
    a16( bes) a8 g e
    \jazzOff
  }

\score {
   \new Staff {
     \jazzOn
     \tempo "Slowly" 2 = 60 
     c'1
   }
}

% Torsten's test :
%=> http://lilypond.1069038.n5.nabble.com/Pseudo-handwritten-font-tt142117.html#a142689

\score {
  \relative c' {
    \jazzOn
    \set Staff.instrumentName = "Trumpet "
    \clef treble
    \key es \major
    \time 4/4
    \tempo "Medium Swing"
     r8 es4->\mf f8-. g--  as4-^ bes8-^  |
     r4. b8\trill\fff ~ b2 |
     bes?16-> r as4\mp r8 g4( \tuplet 3/2 { es8 f e\pp ~ } |
     e1) \fermata |
     \bar "||"
     \mark \markup \jazzglyph #"scripts.varsegnojazz" 
     \clef bass
     \time 5/4
     \key g \major
     geses,4_"Various Accidentals" ges g gis gisis |
  }
  \layout { indent = 10 }
}

\score {
  \new StaffGroup <<
    \new Staff \relative c'' {
      \jazzOn
      \clef treble
      \numericTimeSignature
      \time 4/4
      r8 a \tuplet 3/2 { r e' cis } a2 |
      r8 b \tuplet 3/2 { r a' fis } d2 |
      r8 e \tuplet 3/2 { r d' b } g2 |
      r4 \tuplet 3/2 { r8 b d } \tuplet 3/2 { a' fis d ~ } d4 |
      r4 \tuplet 3/2 { r8 e, g } \tuplet 3/2 { d' b c ~ } c4 |
      r4 r16 d, fis a c8 a bes bes, ~ |
      \tuplet 3/2 { bes8 fis' a } fis g ~ g g, ~ \tuplet 3/2 { g d' f } |
      d8 es ~ es16 es, g d' b?8 c4. | \bar "||"
    }
    \new Staff \relative c {
      \jazzOn
      \clef bass
      \numericTimeSignature
      \time 4/4
      <cis' d fis>1 |
      <b c e> |
      <g a c e> |
      r8 <fis g b> ~ q4 ~ q2 |
      r8 <b c e>4. <f a c e>2 |
      r8 <a bes d>4. ~ q <es g bes d>8 ~ |
      q1 |
      <g as c>1 | \bar "||"
    }
  >>
  \header { 
    piece = "Beginning of a Bill Evans Solo Transcription — “Time Remembered”" 
  }
  \layout {}
  \midi { \tempo 4 = 140 }
}

%\markup { \override #'(font-name . "LilyJAZZ Text") "(Example taken from Frank Sikora’s “Neue Jazz-Harmonielehre”)" }
\markup { \sans "(Example taken from Frank Sikora’s “Neue Jazz-Harmonielehre”, p. 264)" }