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Re: Best practice with inconsistent "à 2"
From: |
Alex Loomis |
Subject: |
Re: Best practice with inconsistent "à 2" |
Date: |
Thu, 7 Aug 2014 09:08:18 -0400 |
In my copy of Dvorak 8 the parts use a2 for isolated unison passages and double
stems for passages where the voices are also split at some point.
On Aug 7, 2014, at 8:49 AM, Urs Liska <address@hidden> wrote:
> Hi folks,
>
> I have a large romantic score in front of me. In the handwritten score the
> \partcombine stuff is done inconsistently for unisono sections: sometimes
> it's written as one voice with "à 2", sometimes as two voices, i.e. one
> notehead with stems up and down. So far I can't see any reason for this
> inconsistency.
>
> What would people with more experience with orchestral scores suggest:
>
> - transcribe everything as it is in the model?
> - make it consistent:
> - use "à 2" always?
> - use voices always?
>
> Best
> Urs
>
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