Whoops, sorry, missed an 'a' out, needed to give
the tie:
\relative c''' <<
{
s1 |
\once
\override NoteColumn.force-hshift = 2
b1~
| b2 cis | }
\\
{
a1~ | <a a,>2 <g g,>4 <fis fis,> | <g g,>1 }
\\
{
\voiceTwo r2 a,~ | a }
>>
Trevor
----- Original Message -----
Sent: Tuesday, October 07, 2014 11:25
PM
Subject: Re: Overlapping ties in
different voices
Hi Fred
Here's the way I'd do it (if I've interpreted
what you wanted correctly):
\relative c''' <<
{ s1 |
\once \override NoteColumn.force-hshift = 2
b1~ | b2 cis | }
\\
{ a1~ | <a a,>2 <g g,>4 <fis fis,> | <g g,>1
}
\\
{ \voiceTwo r2 a,~ | }
>>
Trevor
----- Original Message -----
Sent: Tuesday, October 07, 2014 8:57
PM
Subject: Overlapping ties in different
voices
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for my
choir. In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
combination of ties:
\relative c'''
{ << {
s1 | b1
~
| b2 cis } \\ {
a1 ~ | a2
s2
| s1 } \\ {
\voiceTwo r2 a, ~ | a <g' g,>4 <fis fis,> | <g g,>1
}
>> }
This peculiar mess is almost right; I just need to figure out how to
keep the b and a on the first beat of the second measure from colliding --
but no combination of \shiftOxxx and \once \override NoteColumn.force-hshift
that I've tried has answered the case. Leaving the \voiceTwo command out
prevents the collision -- but at the cost of getting many other things
wrong.
To match the 19th-century original, the b should be shifted a
notehead's width right.
Help?
Thanks! Fred
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