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From: | Patrick or Cynthia Karl |
Subject: | Re: Anacrusis in multiple tunes on page |
Date: | Mon, 20 Oct 2014 16:04:41 -0500 |
Recently you posted:It seems clear to me that I am mis-formatting something. What I am trying to do is is to put multiple tunes on a single page as for a "set" of tunes for a dance. The problem that I'm having is that many of these tunes start both the "A" part and the "B" part with an anacrusis and end the part with a shorter measure to make the number of beats work out. Partial works fine for the initial anacrusis, but if the piece has multiple parts, each with an anacrusis, the processor complains about the subsequent \partial directives. It also doesn't much like a \partial at the end of the section. I've tried just leaving them out, but the programmer in me does not like the warning messages that result. I've noticed that I can account for the missing beats with "s" and the missing time, but this results in unnecessary whitespace and throws the overall note spacing out. Is there an alternative to "s" that would allow Lilypond to account for the missing beats without adding space that I do not want? More or less minimal example follows -- I've left in the directive blocks on the off chance that there's something there or missing from there that would influence the problem. Thanks, -Don From what you wrote I see no problem, \version "2.18.0" \paper { ragged-right = ##t } music = \relative b' { \partial 4 c4 c1
\break
\partial 4 d4 d1 } \score { \music \layout {} } which does throw the warning: Interpreting music... SpuriousPartialWarning.ly:11:3: warning: trying to use \partial after the start of a piece \partial 4 d4 I think the difference is that your anacruces(?) are in different scores, while mine are in the same score. The good news is that the above snippet doesn't throw any warning messages at 2.19.15. So you could upgrade to that or wait for 2.20 to be released. |
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