Re: double time signature problem

[Joshua Stutter]

You should try something like this, changing the TimeSignature stencil 
to a custom markup:

---

{
  \override Staff.TimeSignature.stencil = #(lambda (grob) 
(grob-interpret-markup grob #{ \markup {
    \override #'(baseline-skip . 0)
    \number \line {
      \column { 3 4 }
      \column { 3 2 }
    }

} #}))
  b' b'
}

---

On 13/11/17 09:55, Werner Arnhold wrote:
> Hi, list members,
>
> I try to typeset an old choral work with hemiolic measures. That leads
> me to a 3/4 Mesure sometimes changed to a 3/2 measure without special
> indication and immediately back again. So I wanted to follow a printed
> example with two time signatures at the beginning of the first line.
>
> In the first attachment you can see the result of my efforts. There are
> two problems in it:
>
> 1. The second time signature is too narrow to the first note. My useless
> efforts for fixing this are in the minimal example, commented out.
>
> 2. It is constructed in definitely the wrong way. There must be a more
> logical than optical way of building it. The connection to the
> Score.RehearsalMark cannot be the right way. And by the way, it works
> only for the first staff.
>
> Is there a better way to get a solution of this problem? I know, it is
> possible to avoid the problem if one accepts several visible time
> changes in the score, but I don't want to.
>
> The first attached file shows the state of the complete Work, see the
> hemiolic measure at measure 5.
> The minmal example ly-file shows the first 9 measures without text.
>
> I thank you for any help.
>
> Werner
>
>
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