I'm not sure how they correspond with the Reimannian names, but here they are:
1 - Tonic
2 - Supertonic
3 - Mediant
4 - Subdominant
5 - Dominant
6 - Submediant
b7 - Subtonic
7 - Leading tone
8 - Tonic
The problem with this method is that there's only one name for both b2 and 2, as well as b3 and 3, and also b6 and 6. Sometimes people use Tritone for b5, but I'm not sure if that's part of this naming scheme.
Hope this helps,
-Greg
Dear Sam
I an looking for the Riemannian approach. Can you help me?
On Wed, 2019-10-30 at 18:30 -0400, Sam Bivens wrote:
> Hi Karsten,
> The Riemannian system isn't as widely used among English-speaking circles as it
> is in German-speaking circles. Are you looking for the non-Riemannian
> translations for these terms (we tend to use Roman numerals), or would you
> prefer to keep the Riemannian approach?
> Sam
>
> On Wed, Oct 30, 2019 at 11:49 AM Karsten Reincke <address@hidden> wrote:
> > Dear Friends;
> > [...]
> > Nevertheless, I need your help. I do not know the correct translations of the
> > German / Italien names of the Functional Harmony Theory symbols. dict does not
> > really help.
> >
> > Symbol | German | English
> > -----------------------------------------
> > T | Tonika | tonic
> > Tp | Tonika-Parallele |
> > Tg | Tonika-Gegenklang |
> > S | Subdominante | subdominant
> > Sp | Subdominant-Parallele |
> > Sg | Subdominant-Gegenklang |
> > SS | Doppelsubdominante* |
> > D | Dominante | dominant
> > Dp | Dominant-Parallele |
> > Dg | Dominant-Gegenklang |
> > DD | Doppeldominante |
> >
> > Any proposal is welcome
> >
> > many thanks for your answers
> > Karsten