Since ties can only occur between noteheads in the same voice, you have to ”fake” it by introducing hidden noteheads in one of the voices that can hold the tie, for instance like:
%%%%%%%% \version "2.22.0" \relative c' { \key gis \minor \time 3/4 s2 s8. << { < gis_~ cisis gis'~ >16 < gis gis' >4 < ais ais' > } \\ { \once \hideNotes <cisis^~ gis>16 cisis!2 } >> } %%%%%%%%
HTH /Leo
12 nov. 2021 kl. 22:19 skrev Franco Pasut <franco.pasut@gmail.com>:
I can't solve the transcription of a passage from Alexander Scriabin's Sonata No. 2 that involves chords, voices and ties all together.
In the following image I show you three highlighted fragments:
The first fragment is the original Scriabin's version of the score.
In the second fragment I tried to imitate the author's original score, but I can't keep the ties.
Here is an extract from the lilypond code:
\version "2.22.0" \key gis \minor \time 3/4 \relative c'' { (...) <: gis~ cisis~ gis'~ >16 << { < gis gis' >4 < ais ais' > } \\ cisis2 >> }
I also get the warning "attention: tie not completed". Ties are lost from the chord transition to multiple voices
The third fragment sounds like the original but it's graphically different from the original. Here is the code:
\version "2.22.0" \key gis \minor \time 3/4 \relative c'' { (...) < gis~ cisis~ gis'~ >16 < gis cisis~ gis' >4 < ais cisis ais' > }
Is it reasonably possible, without hard tweaks, to reproduce the original version of the score with chords, voices and ties all together?
Thank you for any solution.
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