Re: Tieing into two voices

[Sebastian Menge]

The best I could come up with, but still the original looks nicer..

<<
   \new Voice {
     \voiceOne
     b1 <a cis>2 b2~ <<{b4 ~ b2. ~} \new Voice {\voiceThree fis4 ~ fis2.}>> b2
   }
   \new Voice {
     \voiceTwo
       gis1 ~ gis2 ~ gis2 ~ gis4
       << {\voiceTwo e2. ~ e2} \\ \new Voice {\voiceThree a2. g2}>>
   }
>>

On Mon, Sep 9, 2024 at 7:00 PM Sebastian Menge <s.menge@gmx.de> wrote:

Thanks Paul that works. However, there are warnings.

Now I found the documentation (Instantiating voices explicitely), but still I find it difficult to typeset something like this

It gives me a headache :-)

Is it possible to reference the actual voices by name during "tieing"?

For example take the third measure in the example above. The gis comes from the measures before, but the b continues to the following measures.

On Mon, Sep 9, 2024 at 6:10 PM Paul Hodges <pwh@cassland.org> wrote:

The << \\ >> construction generates two new voices, neither of which is a continuation of the previous one.  

Instead you can write <<  ||  \new Voice {  } >> like this:

\score { 

   \relative { g2 ~ << g2 || \new Voice {\stemUp c8 d e f}  >> }

  \layout { }

where the first part of the parallel construction continues the external voice so that ties and slurs can cross into it.

Paul

From: Sebastian Menge via LilyPond user discussion <lilypond-user@gnu.org>
To: <lilypond-user@gnu.org>
Sent: 09/09/2024 16:20
Subject: Tieing into two voices

Hi

I would like to tie a note into a short polyphon section

\score {
   \relative { g2 ~ << g2 \\ {\stemUp c8 d e f}  >> }
  \layout { }
}

But that gives a warning and no tie. (It is intended to have two half notes tied)

I could extend the polyphony and use silence but that doesn't seem right and would clutter the source.

Actually the one voice continues and just for some bars/beats another voice sits on top.

How can I realize that?

Thanks, Sebastian.

Background is some modern organ music, there are many occasions of this "problem":