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Re: lyrics clashing with barlines
|
From: |
Matevž Jekovec |
|
Subject: |
Re: lyrics clashing with barlines |
|
Date: |
Tue, 12 Dec 2006 10:27:39 +0100 |
|
User-agent: |
Thunderbird 1.5.0.8 (X11/20061115) |
Hi Mats,
the following solution works. However, looks like my regression fails
with Lily-2.10/11 branch: The first line is drawn on the first page
already and it doesn't fit the whole page (the half is cut)!
I'm attaching the whole score.
Regards.
- Matevž
Mats Bengtsson pravi:
> When Maurits sent his question, I suddenly realized that it looked
> familiar, and I
> found Matevz' old email, which did contain a full example that was
> easy to play
> around with. The solution to both of your problems turns out to be
> very simple,
> once you realize that the bar lines drawn between staves are actually
> the so-called
> SpanBar barlines belonging to the StaffGroup context. If you move the
> bottom
> lyrics line outside the StaffGroup context, you get rid of these bar
> lines. In Matevz'
> example, just replace the \score block by
> \score {
> <<
> \context StaffGroup = choirStaff <<
> \context Voice =
> cantusNotes << \global \cantusNotes >>
> \context Lyrics =
> cantusLyrics \lyricsto cantusNotes { \cantusLyrics }
> \context Voice =
> altusNotes << \global \altusNotes >>
> \context Lyrics =
> altusLyrics \lyricsto altusNotes { \altusLyrics }
> \context Voice =
> tenorNotes << \global \tenorNotes >>
> \context Lyrics =
> tenorLyrics \lyricsto tenorNotes { \tenorLyrics }
> \context Voice =
> bassusNotes << \global \bassusNotes >>
> >>
> \context Lyrics =
> bassusLyrics \lyricsto bassusNotes { \bassusLyrics }
> >>
> ...
> }
>
>
> /Mats
>
> Matevz Jekovec wrote:
>> Hi.
>>
>> Thank you both. The hint at the bottom regarding how to avoid barlines
>> work. However, I think I found a bug in Lily. I attached the png and .ly
>> file. The problem is that the barline is now drawn *under* the last
>> staff where it shouldn't be.
>>
>> Regards.
>> - Matevž
>>
>> Mats Bengtsson pravi:
>>
>>> I hope you have seen the hints at the bottom of
>>> http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Vocal-music.html#Vocal-music
>>>
>>>
>>>
>>> /Mats
>>>
>>> Matevz Jekovec wrote:
>>>
>>>
>>>> Usually choir staffgroup has barlines only in staffs, but not
>>>> connecting
>>>> staffs as well. However, in some cases (like renaissance music, where
>>>> the barlines are drawn only *between* the staffs and not in them) when
>>>> the barlines are drawn, lyrics position for every syllable doesn't
>>>> take
>>>> the barline into account. They collide.
>>>>
>>>> I attached an example of Gallus's Ecce quomodo.
>>>>
>>>> Is there a large CPU overhead to implement this (like you mentioned it
>>>> was for avoiding clashing page borders and notes for every text sign).
>>>>
>>>>
>>>> Regards.
>>>> - Matevž
>>>>
>>>>
>>>> ------------------------------------------------------------------------
>>>>
>>>>
>>>> ------------------------------------------------------------------------
>>>>
>>>>
>>>> _______________________________________________
>>>> lilypond-devel mailing list
>>>> address@hidden
>>>> http://lists.gnu.org/mailman/listinfo/lilypond-devel
>>>>
>>>>
>>>
>>> ------------------------------------------------------------------------
>>>
>>>
>>> \version "2.7.40"
>>>
>>> #(set-global-staff-size 19)
>>>
>>> global = {
>>> \pageBreak
>>> \set Score.skipBars = ##t
>>>
>>> % incipit
>>> \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight
>>> spacing
>>> \key f \major
>>> \time 2/2
>>> \once \override Staff.TimeSignature #'style = #'neomensural
>>> \override Voice.NoteHead #'style = #'neomensural
>>> \override Voice.Rest #'style = #'neomensural
>>> \override Voice.Accidental #'style = #'mensural
>>> \set Staff.printKeyCancellation = ##f
>>> \override NoteSpacing #'stem-spacing-correction = #0.6
>>> \cadenzaOn % turn off bar lines
>>> \skip 1*5
>>> \once \override Staff.BarLine #'transparent = ##f
>>> \bar "||"
>>> \skip 1*1 % need this extra \skip such that clef change comes
>>> % after bar line
>>> \bar ""
>>>
>>> % main
>>> \cadenzaOff % turn bar lines on again
>>> \once \override Staff.Clef #'full-size-change = ##t
>>> \set Staff.forceClef = ##t
>>> \key f \major
>>> \time 2/2
>>> \override Voice.NoteHead #'style = #'default
>>> \override Voice.Rest #'style = #'default
>>> \override Voice.Accidental #'style = #'default
>>> \override Score.PaperColumn #'keep-inside-line = ##t
>>> % FIXME: setting printKeyCancellation back to #t must not
>>> % occur in the first bar after the incipit. Dto. for forceClef.
>>> % Therefore, we need an extra \skip.
>>> \skip 1*1
>>> \set Staff.printKeyCancellation = ##t
>>> \set Staff.forceClef = ##f
>>> \override Staff.BarLine #'hair-thickness = #0.3
>>> \skip 1*2 \break % Prima pars
>>> \skip 1*6 \break
>>> \skip 1*6 \break
>>> \skip 1*6 \break
>>> \skip 1*6 \break
>>> \skip 1*6
>>> \once \override Staff.BarLine #'transparent = ##f
>>> \bar "||" \pageBreak
>>>
>>> \skip 1*8 \break % Secunda pars
>>> \skip 1*8 \break
>>> \skip 1*7
>>> % let finis bar go through all staves
>>> \override Staff.BarLine #'transparent = ##f
>>>
>>> % finis bar
>>> \bar "|."
>>> }
>>>
>>> \layout {
>>> \context {
>>> \Lyrics
>>> \consists "Bar_engraver"
>>> \consists "Separating_line_group_engraver"
>>> \override BarLine #'transparent = ##t
>>> }
>>> }
>>>
>>> isUp = ^\markup \sharp
>>> esUp = ^\markup \flat
>>> nUp = ^\markup \natural
>>>
>>> cantusNotes = {
>>> \transpose c' c'' {
>>> \set Staff.instrument = "Cantus"
>>> \set Staff.midiInstrument = "acoustic grand"
>>>
>>> % incipit
>>> \clef "treble"
>>> a\breve g1 r2 a2. a4 a2 % 4
>>> \skip 1*1 % extra bar
>>>
>>> % main
>>> \clef "treble"
>>> \once \override TextScript #'extra-offset = #'(-8 . 2)
>>> a1^\markup {\large \bold "Prima pars"} | g2 r4 a4~ | % 3
>>> a8 a a4 bes2~ | bes4 a a2 | % 5
>>> g1 | g2 r4 g4 | a2 g4 f~ | % 8
>>> f8 f e4 f2 | e r4 a4 | c'2 c'4 bes~ | % 11
>>> bes8 bes a4 g2 | fis r4 fis4~ | fis g a2 | % 14
>>> a4 a bes2 | a r4 c'4~ | c' bes2 a4 | % 17
>>> a a2 a4 | g2 r4 g4 | a4. a8 a4 g | % 20
>>> a a a2 | a r4 a4~ | a c'2 bes4 | a g2 a4 | % 24
>>> r4 c'4 f' f' | e' d'2 c'4 | bes bes4. bes8 a4 | % 27
>>> g2 a | r4 c'4 f' f' | e' d'2 c'4 | % 30
>>> bes bes4. bes8 a4 | g2 a~ | a1~ | a || % 34
>>> \once \override TextScript #'extra-offset = #'(-5 . 2)
>>> c'2^\markup {\large \bold "Secunda pars"} c' | % 35
>>> c'4 a2 a4 | a a2 a4 | a2 a | % 38
>>> r4 c'2 c'4 | d'2 c'4 e' | e' e'4. e'8 f'4~\melisma | % 41
>>> f' e'8 d' e'4\melismaEnd e' | f'2 r4 c'4~ | c' c' d'2 | % 44
>>> c'4 e' e' e'~ | e'8 e' f'2\melisma e'8 d' | % 46
>>> e'4\melismaEnd e' f'2 | r4 c'4 f' f' | e' d'2 c'4 | % 49
>>> bes bes4. bes8 a4 | g2 a | r4 c'4 f' f' | % 52
>>> e' d'2 c'4 | bes bes4. bes8 a4 | g2 a~ | % 55
>>> a1~ | a1 \bar "|." % 57
>>> }
>>> }
>>>
>>> cantusLyrics = \lyricmode {
>>> % incipit
>>> _ _ _ _ _
>>>
>>> % main
>>> Ec -- ce, quo -- % 3
>>> mo -- do mo -- ri -- tur % 5
>>> ius -- tus, et ne -- mo per -- % 7
>>> ci pit cor -- de et % 10
>>> ne -- mo per -- ci -- pit cor -- % 12
>>> de; vi -- ri ius -- % 14
>>> ti tol -- lun -- tur, et % 16
>>> ne -- mo con -- si -- de -- % 18
>>> rat; a fa -- ci -- e in -- % 20
>>> i -- qui -- ta -- tis sub -- % 22
>>> la -- tus est ius -- tus: % 24
>>> et e -- rit in pa -- ce % 26
>>> me -- mo -- ri -- a e -- ius, % 28
>>> et e -- rit in pa -- ce % 30
>>> me -- mo -- ri -- a e -- ius. % 34
>>> In pa -- ce fac -- tus % 36
>>> est lo -- cus e -- ius, % 38
>>> et in Si -- on ha -- bi -- % 40
>>> ta -- ti -- o __ e -- ius, % 43
>>> et in Si -- on ha -- bi -- ta -- % 45
>>> ti -- o __ e -- ius. % 47
>>> Et e -- rit in pa -- ce % 49
>>> me -- mo -- ri -- a e -- ius, % 51
>>> et e -- rit in pa -- ce % 53
>>> me -- mo -- ri -- a e -- ius. % 57
>>> }
>>>
>>> altusNotes = {
>>> \transpose c' c'' {
>>> \set Staff.instrument = "Altus"
>>> \set Staff.midiInstrument = "acoustic grand"
>>>
>>> % incipit
>>> \clef "neomensural-c2"
>>> f\breve e1 r2 f2. f4 f2 % 5
>>> \skip 1*1 % extra bar
>>>
>>> % main
>>> \clef "treble"
>>> f1 | e2 r4 f~ | f8 f f4 f2~ | % 4
>>> f4 f f f~\melisma | f e d2\melismaEnd | e r4 e | % 7
>>> f2 e4 d~ | d8 d cis4 d2 | cis2 r4 e4 | % 10
>>> a2 a4 f~ | f8 f f4 d2 | d r4 d4~ | d d f2 | % 14
>>> f4 f f2 | f r4 a4~ | a g2 e4 | f f2 f4 | % 18
>>> e2 r4 g4 | f4. f8 f4 d | f f e2 | % 21
>>> fis2 r4 fis4~ | fis g2 f?4 | % 23
>>> f d2 f4 | r4 a c' c' | c' bes2 a4 | % 26
>>> g4 g4. g8 f4~ | f e f2 | % 28
>>> r4 a4 c' c' | c' bes2 a4 | % 30
>>> g g4. g8 f4~ | f e f2~ | f1~ | f || % 34
>>> r4 a4 g2 | a4 f2 f4 | f d2 e4 | f2 e | % 38
>>> r4 a2 g4 | bes2 a4 c'4 | c' c'4. c'8 bes4 | % 41
>>> c'1 | c'2 r4 a4~ | a4 g bes2 | a4 c' c' c'~ | % 45
>>> c'8 c' bes4 c'2~ | c' c' | % 47
>>> r4 a4 c' c' | c' bes2 a4 | g g4. g8 f4~ | % 50
>>> f4 e f2 | r4 a4 c' c' | c' bes2 a4 | % 53
>>> g g4. g8 f4~ | f e f2~ | f1~ | f1 \bar "|." % 57
>>> }
>>> }
>>>
>>> altusLyrics = \lyricmode {
>>> % incipit
>>> _ _ _ _ _
>>>
>>> % main
>>> Ec -- ce, quo -- % 3
>>> mo -- do mo -- ri -- tur % 5
>>> ius -- tus, et ne -- mo per -- % 7
>>> ci pit cor -- de et % 10
>>> ne -- mo per -- ci -- pit cor -- % 12
>>> de; vi -- ri ius -- % 14
>>> ti tol -- lun -- tur, et % 16
>>> ne -- mo con -- si -- de -- % 18
>>> rat; a fa -- ci -- e in -- % 20
>>> i -- qui -- ta -- tis sub -- % 22
>>> la -- tus est ius -- tus: % 24
>>> et e -- rit in pa -- ce % 26
>>> me -- mo -- ri -- a e -- ius, % 28
>>> et e -- rit in pa -- ce % 30
>>> me -- mo -- ri -- a e -- ius. % 34
>>> In pa -- ce fac -- tus % 36
>>> est lo -- cus e -- ius, % 38
>>> et in Si -- on ha -- bi -- % 40
>>> ta -- ti -- o e -- ius, % 43
>>> et in Si -- on ha -- bi -- ta -- % 45
>>> ti -- o e -- ius. % 47
>>> Et e -- rit in pa -- ce % 49
>>> me -- mo -- ri -- a e -- ius, % 51
>>> et e -- rit in pa -- ce % 53
>>> me -- mo -- ri -- a e -- ius. % 57
>>> }
>>>
>>> tenorNotes = {
>>> \transpose c' c'' {
>>> \set Staff.instrument = "Tenor"
>>> \set Staff.midiInstrument = "acoustic grand"
>>>
>>> % incipit
>>> \clef "neomensural-c3"
>>> c\breve c1 r2 c2. c4 c2 % 5
>>> \skip 1*1 % extra bar
>>>
>>> % main
>>> \clef "treble_8"
>>> c1 | c2 r4 c4~ | c8 c c4 d2~ | % 4
>>> d4 c c d~\melisma | % 5
>>> d8 c c4. b,8 b,4\melismaEnd | c2 r4 c | % 7
>>> c2 c4 a,~ | a,8 a, a,4 a,2 | a, r4 c4 | % 10
>>> f2 e4 d~ | d8 d c4 bes,2 | a, r4 a,4~ | % 13
>>> a, b, c2 | c4 c d2 | c r4 f4~ | % 16
>>> f d2 cis4 | d c2 c4 | c2 r4 c4 | % 19
>>> c4. c8 c4 b, | c d2 cis4 | d2 r4 d4~ | % 22
>>> d es2 d4 | c b,2 c4 | r4 f a a | % 25
>>> a f2 f4 | d es4. es8 c4 | c2 c | % 28
>>> r4 f4 a a | a f2 f4 | d es4. es8 c4 | % 31
>>> c2 c~ | c1~ | c1 || % 34
>>> r4 f2 e4 | f c2 c4 | d f2 e4 | % 37
>>> d2 cis2 | r4 e2 e4 | f2 f4 g | % 40
>>> g g4. g8 f4 | g1 | a2 r4 e4~ | % 43
>>> e e f2 | f4 g g g~ | % 45
>>> g8 g f4 g2~ | g a | % 47
>>> r4 f4 a a | a f2 f4 | % 49
>>> d es4. es8 c4 | c2 c | % 51
>>> r4 f4 a a | a f2 f4 | % 53
>>> d es4. es8 c4 | c2 c2~ | c1~ | % 56
>>> c1 \bar "|." % 57
>>> }
>>> }
>>>
>>> tenorLyrics = \lyricmode {
>>> % incipit
>>> _ _ _ _ _
>>>
>>> % main
>>> Ec -- ce, quo -- % 3
>>> mo -- do mo -- ri -- tur % 5
>>> ius -- tus, et ne -- mo per -- % 7
>>> ci pit cor -- de et % 10
>>> ne -- mo per -- ci -- pit cor -- % 12
>>> de; vi -- ri ius -- % 14
>>> ti tol -- lun -- tur, et % 16
>>> ne -- mo con -- si -- de -- % 18
>>> rat; a fa -- ci -- e in -- % 20
>>> i -- qui -- ta -- tis sub -- % 22
>>> la -- tus est ius -- tus: % 24
>>> et e -- rit in pa -- ce % 26
>>> me -- mo -- ri -- a e -- ius, % 28
>>> et e -- rit in pa -- ce % 30
>>> me -- mo -- ri -- a e -- ius. % 34
>>> In pa -- ce fac -- tus % 36
>>> est lo -- cus e -- ius, % 38
>>> et in Si -- on ha -- bi -- % 40
>>> ta -- ti -- o e -- ius, % 43
>>> et in Si -- on ha -- bi -- ta -- % 45
>>> ti -- o e -- ius. % 47
>>> Et e -- rit in pa -- ce % 49
>>> me -- mo -- ri -- a e -- ius, % 51
>>> et e -- rit in pa -- ce % 53
>>> me -- mo -- ri -- a e -- ius. % 57
>>> }
>>>
>>> bassusNotes = {
>>> \transpose c' c' {
>>> \set Staff.instrument = "Bassus"
>>> \set Staff.midiInstrument = "acoustic grand"
>>>
>>> % incipit
>>> \clef "varbaritone"
>>> f\breve c1 r2 f2. f4 f2 % 5
>>> \skip 1*1 % extra bar
>>>
>>> % main
>>> \clef "bass"
>>> f1 | c2 r4 f4~ | f8 f f4 bes2~ | % 4
>>> bes4 f f2 | g1 | c2 r4 c4 | % 7
>>> f2 c4 d~ | d8 d a,4 d2 | a, r4 a4 | % 10
>>> f2 a4 bes~ | bes8 bes f4 g2 | % 12
>>> d2 r4 d4~ | d g f2 | f4 f bes,2 | % 15
>>> f2 r4 f4~ | f g2 a4 | d f2 f4 | % 18
>>> c2 r4 c4 | f4. f8 f4 g | f d a2 | % 21
>>> d r4 d4~ | d c2 d4 | f g2 f4 | % 24
>>> r4 f4 f f | a bes2 f4 | % 26
>>> g es4. es8 f4 | c2 f | r4 f4 f f | % 29
>>> a bes2 f4 | g es4. es8 f4 | % 31
>>> c2 f~ | f1~ | f1 || % 34
>>> r4 f4 c2 | f4 f2 f4 | % 36
>>> d4 d2 cis4 | d2 a, | r4 a2 c'4 | % 39
>>> bes2 f4 c' | c' c'4. c'8 d'4 | % 41
>>> c'1 | f2 r4 a4~ | a4 c' bes2 | % 44
>>> f4 c' c' c'~ | c'8 c' d'4 c'2~ | % 46
>>> c' f | r4 f4 f f | a bes2 f4 | % 49
>>> g es4. es8 f4 | c2 f | r4 f4 f f | % 52
>>> a bes2 f4 | g es4. es8 f4 | c2 f~ | % 55
>>> f1~ | f1 \bar "|." % 57
>>> }
>>> }
>>>
>>> bassusLyrics = \lyricmode {
>>> % incipit
>>> _ _ _ _ _
>>>
>>> % main
>>> Ec -- ce, quo -- % 3
>>> mo -- do mo -- ri -- tur % 5
>>> ius -- tus, et ne -- mo per -- % 7
>>> ci pit cor -- de et % 10
>>> ne -- mo per -- ci -- pit cor -- % 12
>>> de; vi -- ri ius -- % 14
>>> ti tol -- lun -- tur, et % 16
>>> ne -- mo con -- si -- de -- % 18
>>> rat; a fa -- ci -- e in -- % 20
>>> i -- qui -- ta -- tis sub -- % 22
>>> la -- tus est ius -- tus: % 24
>>> et e -- rit in pa -- ce % 26
>>> me -- mo -- ri -- a e -- ius, % 28
>>> et e -- rit in pa -- ce % 30
>>> me -- mo -- ri -- a e -- ius. % 34
>>> In pa -- ce fac -- tus % 36
>>> est lo -- cus e -- ius, % 38
>>> et in Si -- on ha -- bi -- % 40
>>> ta -- ti -- o e -- ius, % 43
>>> et in Si -- on ha -- bi -- ta -- % 45
>>> ti -- o e -- ius. % 47
>>> Et e -- rit in pa -- ce % 49
>>> me -- mo -- ri -- a e -- ius, % 51
>>> et e -- rit in pa -- ce % 53
>>> me -- mo -- ri -- a e -- ius. % 57
>>> }
>>>
>>> \book {
>>> \header {
>>> title = "XIII. Ecce quomodo moritur iustus"
>>> composer = \markup \center-align {"" \large "Iacobus Gallus
>>> (Jakob Petelin)" \small "(1550-1591)"}
>>>
>>> mutopiatitle = "XIII. Ecce quomodo moritur iustus"
>>> mutopiacomposer = "I. Gallus (1550-1591)"
>>> mutopiainstrument = "Voice, (SATB)"
>>> source = "Emil Bazecný, Josef Mantuani - DTÖ, 1899-1919"
>>> style = "Renaissance"
>>> copyright = "Public Domain"
>>> maintainer = "Matevž Jekovec"
>>> maintainerEmail = "address@hidden"
>>> lastupdated = "2005/Oct/25"
>>> }
>>>
>>> \markup \column \large \translate #(cons 20 0) {
>>> \italic {
>>> " Ecce quomodo moritur iustus, et nemo
>>> percipit corde;"
>>> "viri iusti tolluntur, et nemo considerat;"
>>> "a facie iniquitatis sublatus est iustus:"
>>> "et erit in pace memoria eius."
>>> " In pace factus est locus eius, et in
>>> Sion habitatio eius."
>>> "Et erit in pace memoria eius."
>>> }
>>> " " " " " "
>>> " Glejte, kako umira pravični, pa nihče
>>> v srcu ne čuti."
>>> "Žrtev sveti možje so, pa mar ni nobenemu."
>>> "Iz kroga je ljudi hudobnih odstranjen
>>> pravični."
>>> "In večno bo živel v preslavnem spominu."
>>> " Počitka našel je mesto mirno, na
>>> Sionu prebivališče svoje."
>>> "In večno bo živel v preslavnem
>>> spominu." " "
>>> " (Janez Podboj, v: J. Aljaž,
>>> Slovenska pesmarica II, Celovec 1900)"
>>> " " " " " "
>>> " Behold, the Righteous dies, but no
>>> one feels in his heart;"
>>> "victims are the righteous ones, but no
>>> one notices;"
>>> "the Righteous faces iniquity and is
>>> being removed:"
>>> "And he will live in glorious peace."
>>> " He found his place in peace, his
>>> realm in Zion."
>>> "And he will live in glorious peace." " "
>>> " (Matevž Jekovec, \"De profundis\"
>>> chamber choir, Slovenia)"
>>> " " " " " " " " " " " "
>>> }
>>>
>>> \markup \column {
>>> \italic {
>>> "Typeset from Jacob Handl (Gallus):
>>> Opus Musicum, vol. 2, DTÖ 1905,"
>>> "with minor maintainer's tweaks and
>>> fixes."
>>> " " " "
>>> }
>>> }
>>>
>>> \score {
>>> \context StaffGroup = choirStaff <<
>>> \context Voice =
>>> cantusNotes << \global \cantusNotes >>
>>> \context Lyrics =
>>> cantusLyrics \lyricsto cantusNotes { \cantusLyrics }
>>> \context Voice =
>>> altusNotes << \global \altusNotes >>
>>> \context Lyrics =
>>> altusLyrics \lyricsto altusNotes { \altusLyrics }
>>> \context Voice =
>>> tenorNotes << \global \tenorNotes >>
>>> \context Lyrics =
>>> tenorLyrics \lyricsto tenorNotes { \tenorLyrics }
>>> \context Voice =
>>> bassusNotes << \global \bassusNotes >>
>>> \context Lyrics =
>>> bassusLyrics \lyricsto bassusNotes { \bassusLyrics }
>>> >>
>>> \layout {
>>> indent = 4.0 \cm
>>> \context {
>>> \Score
>>> \override BarLine #'transparent = ##t
>>> }
>>> \context {
>>> \Voice
>>> \override Slur #'transparent = ##t
>>> }
>>> }
>>>
>>> \midi { \tempo 2 = 48 }
>>> }
>>> }
>>>
>>>
>>> ------------------------------------------------------------------------
>>>
>>>
>>> ------------------------------------------------------------------------
>>>
>>>
>>> _______________________________________________
>>> lilypond-devel mailing list
>>> address@hidden
>>> http://lists.gnu.org/mailman/listinfo/lilypond-devel
>
\version "2.10.0"
#(set-global-staff-size 19)
global = {
\pageBreak
\set Score.skipBars = ##t
% incipit
\override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
\key f \major
\time 2/2
\once \override Staff.TimeSignature #'style = #'neomensural
\override Voice.NoteHead #'style = #'neomensural
\override Voice.Rest #'style = #'neomensural
\override Voice.Accidental #'style = #'mensural
\set Staff.printKeyCancellation = ##f
\override NoteSpacing #'stem-spacing-correction = #0.6
\cadenzaOn % turn off bar lines
\skip 1*5
\once \override Staff.BarLine #'transparent = ##f
\bar "||"
\skip 1*1 % need this extra \skip such that clef change comes
% after bar line
\bar ""
% main
\cadenzaOff % turn bar lines on again
\once \override Staff.Clef #'full-size-change = ##t
\set Staff.forceClef = ##t
\key f \major
\time 2/2
\override Voice.NoteHead #'style = #'default
\override Voice.Rest #'style = #'default
\override Voice.Accidental #'style = #'default
\override Score.PaperColumn #'keep-inside-line = ##t
% FIXME: setting printKeyCancellation back to #t must not
% occur in the first bar after the incipit. Dto. for forceClef.
% Therefore, we need an extra \skip.
\skip 1*1
\set Staff.printKeyCancellation = ##t
\set Staff.forceClef = ##f
\override Staff.BarLine #'hair-thickness = #0.3
\skip 1*2 \break % Prima pars
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6
\once \override Staff.BarLine #'transparent = ##f
\bar "||" \pageBreak
\skip 1*8 \break % Secunda pars
\skip 1*8 \break
\skip 1*7
% let finis bar go through all staves
\override Staff.BarLine #'transparent = ##f
% finis bar
\bar "|."
}
\layout {
\context {
\Lyrics
\consists "Bar_engraver"
\consists "Separating_line_group_engraver"
\override BarLine #'transparent = ##t
}
}
isUp = ^\markup \sharp
esUp = ^\markup \flat
nUp = ^\markup \natural
cantusNotes = {
\transpose c' c'' {
\set Staff.instrumentName = "Cantus"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "treble"
a\breve g1 r2 a2. a4 a2 % 4
\skip 1*1 % extra bar
% main
\clef "treble"
\once \override TextScript #'extra-offset = #'(-8 . 2)
a1^\markup {\large \bold "Prima pars"} | g2 r4 a4~ | % 3
a8 a a4 bes2~ | bes4 a a2 | % 5
g1 | g2 r4 g4 | a2 g4 f~ | % 8
f8 f e4 f2 | e r4 a4 | c'2 c'4 bes~ | % 11
bes8 bes a4 g2 | fis r4 fis4~ | fis g a2 | % 14
a4 a bes2 | a r4 c'4~ | c' bes2 a4 | % 17
a a2 a4 | g2 r4 g4 | a4. a8 a4 g | % 20
a a a2 | a r4 a4~ | a c'2 bes4 | a g2 a4 | % 24
r4 c'4 f' f' | e' d'2 c'4 | bes bes4. bes8 a4 | % 27
g2 a | r4 c'4 f' f' | e' d'2 c'4 | % 30
bes bes4. bes8 a4 | g2 a~ | a1~ | a || % 34
\once \override TextScript #'extra-offset = #'(-5 . 2)
c'2^\markup {\large \bold "Secunda pars"} c' | % 35
c'4 a2 a4 | a a2 a4 | a2 a | % 38
r4 c'2 c'4 | d'2 c'4 e' | e' e'4. e'8 f'4~\melisma | % 41
f' e'8 d' e'4\melismaEnd e' | f'2 r4 c'4~ | c' c' d'2 | % 44
c'4 e' e' e'~ | e'8 e' f'2\melisma e'8 d' | % 46
e'4\melismaEnd e' f'2 | r4 c'4 f' f' | e' d'2 c'4 | % 49
bes bes4. bes8 a4 | g2 a | r4 c'4 f' f' | % 52
e' d'2 c'4 | bes bes4. bes8 a4 | g2 a~ | % 55
a1~ | a1 \bar "|." % 57
}
}
cantusLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o __ e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o __ e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
altusNotes = {
\transpose c' c'' {
\set Staff.instrumentName = "Altus"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "neomensural-c2"
f\breve e1 r2 f2. f4 f2 % 5
\skip 1*1 % extra bar
% main
\clef "treble"
f1 | e2 r4 f~ | f8 f f4 f2~ | % 4
f4 f f f~\melisma | f e d2\melismaEnd | e r4 e | % 7
f2 e4 d~ | d8 d cis4 d2 | cis2 r4 e4 | % 10
a2 a4 f~ | f8 f f4 d2 | d r4 d4~ | d d f2 | % 14
f4 f f2 | f r4 a4~ | a g2 e4 | f f2 f4 | % 18
e2 r4 g4 | f4. f8 f4 d | f f e2 | % 21
fis2 r4 fis4~ | fis g2 f?4 | % 23
f d2 f4 | r4 a c' c' | c' bes2 a4 | % 26
g4 g4. g8 f4~ | f e f2 | % 28
r4 a4 c' c' | c' bes2 a4 | % 30
g g4. g8 f4~ | f e f2~ | f1~ | f || % 34
r4 a4 g2 | a4 f2 f4 | f d2 e4 | f2 e | % 38
r4 a2 g4 | bes2 a4 c'4 | c' c'4. c'8 bes4 | % 41
c'1 | c'2 r4 a4~ | a4 g bes2 | a4 c' c' c'~ | % 45
c'8 c' bes4 c'2~ | c' c' | % 47
r4 a4 c' c' | c' bes2 a4 | g g4. g8 f4~ | % 50
f4 e f2 | r4 a4 c' c' | c' bes2 a4 | % 53
g g4. g8 f4~ | f e f2~ | f1~ | f1 \bar "|." % 57
}
}
altusLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
tenorNotes = {
\transpose c' c'' {
\set Staff.instrumentName = "Tenor"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "neomensural-c3"
c\breve c1 r2 c2. c4 c2 % 5
\skip 1*1 % extra bar
% main
\clef "treble_8"
c1 | c2 r4 c4~ | c8 c c4 d2~ | % 4
d4 c c d~\melisma | % 5
d8 c c4. b,8 b,4\melismaEnd | c2 r4 c | % 7
c2 c4 a,~ | a,8 a, a,4 a,2 | a, r4 c4 | % 10
f2 e4 d~ | d8 d c4 bes,2 | a, r4 a,4~ | % 13
a, b, c2 | c4 c d2 | c r4 f4~ | % 16
f d2 cis4 | d c2 c4 | c2 r4 c4 | % 19
c4. c8 c4 b, | c d2 cis4 | d2 r4 d4~ | % 22
d es2 d4 | c b,2 c4 | r4 f a a | % 25
a f2 f4 | d es4. es8 c4 | c2 c | % 28
r4 f4 a a | a f2 f4 | d es4. es8 c4 | % 31
c2 c~ | c1~ | c1 || % 34
r4 f2 e4 | f c2 c4 | d f2 e4 | % 37
d2 cis2 | r4 e2 e4 | f2 f4 g | % 40
g g4. g8 f4 | g1 | a2 r4 e4~ | % 43
e e f2 | f4 g g g~ | % 45
g8 g f4 g2~ | g a | % 47
r4 f4 a a | a f2 f4 | % 49
d es4. es8 c4 | c2 c | % 51
r4 f4 a a | a f2 f4 | % 53
d es4. es8 c4 | c2 c2~ | c1~ | % 56
c1 \bar "|." % 57
}
}
tenorLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
bassusNotes = {
\transpose c' c' {
\set Staff.instrumentName = "Bassus"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "varbaritone"
f\breve c1 r2 f2. f4 f2 % 5
\skip 1*1 % extra bar
% main
\clef "bass"
f1 | c2 r4 f4~ | f8 f f4 bes2~ | % 4
bes4 f f2 | g1 | c2 r4 c4 | % 7
f2 c4 d~ | d8 d a,4 d2 | a, r4 a4 | % 10
f2 a4 bes~ | bes8 bes f4 g2 | % 12
d2 r4 d4~ | d g f2 | f4 f bes,2 | % 15
f2 r4 f4~ | f g2 a4 | d f2 f4 | % 18
c2 r4 c4 | f4. f8 f4 g | f d a2 | % 21
d r4 d4~ | d c2 d4 | f g2 f4 | % 24
r4 f4 f f | a bes2 f4 | % 26
g es4. es8 f4 | c2 f | r4 f4 f f | % 29
a bes2 f4 | g es4. es8 f4 | % 31
c2 f~ | f1~ | f1 || % 34
r4 f4 c2 | f4 f2 f4 | % 36
d4 d2 cis4 | d2 a, | r4 a2 c'4 | % 39
bes2 f4 c' | c' c'4. c'8 d'4 | % 41
c'1 | f2 r4 a4~ | a4 c' bes2 | % 44
f4 c' c' c'~ | c'8 c' d'4 c'2~ | % 46
c' f | r4 f4 f f | a bes2 f4 | % 49
g es4. es8 f4 | c2 f | r4 f4 f f | % 52
a bes2 f4 | g es4. es8 f4 | c2 f~ | % 55
f1~ | f1 \bar "|." % 57
}
}
bassusLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
\book {
\header {
title = "XIII. Ecce quomodo moritur iustus"
composer = \markup \center-align {"" \large "Iacobus Gallus (Jakob
Petelin)" \small "(1550-1591)"}
mutopiatitle = "XIII. Ecce quomodo moritur iustus"
mutopiacomposer = "I. Gallus (1550-1591)"
mutopiainstrument = "Voice, (SATB)"
source = "Emil Bazecný, Josef Mantuani - DTÃ, 1899-1919"
style = "Renaissance"
copyright = "Public Domain"
maintainer = "Matevž Jekovec"
maintainerEmail = "address@hidden"
lastupdated = "2006/Dec/12"
}
\markup \column \large \translate #(cons 20 0) {
\italic {
" Ecce quomodo moritur iustus, et nemo percipit
corde;"
"viri iusti tolluntur, et nemo considerat;"
"a facie iniquitatis sublatus est iustus:"
"et erit in pace memoria eius."
" In pace factus est locus eius, et in Sion
habitatio eius."
"Et erit in pace memoria eius."
}
" " " " " "
" Glejte, kako umira praviÄni, pa nihÄe v srcu
ne Äuti."
"Žrtev sveti možje so, pa mar ni nobenemu."
"Iz kroga je ljudi hudobnih odstranjen praviÄni."
"In veÄno bo živel v preslavnem spominu."
" PoÄitka naÅ¡el je mesto mirno, na Sionu
prebivaliÅ¡Äe svoje."
"In veÄno bo živel v preslavnem spominu." " "
" (Janez Podboj, v: J. Aljaž, Slovenska
pesmarica II, Celovec 1900)"
" " " " " "
" Behold, the Righteous dies, but no one feels in
his heart;"
"victims are the righteous ones, but no one
notices;"
"the Righteous faces iniquity and is being removed:"
"And he will live in glorious peace."
" He found his place in peace, his realm in Zion."
"And he will live in glorious peace." " "
" (Matevž Jekovec, \"De profundis\" chamber
choir, Slovenia)"
" " " " " " " " " " " "
}
\markup \column {
\italic {
"Typeset from
Jacob Handl (Gallus): Opus Musicum, vol. 2, DTÃ 1905,"
"with minor
maintainer's tweaks and fixes."
" " " " " " " "
}
}
\score {
<<
\context StaffGroup = choirStaff <<
\context Voice =
cantusNotes << \global \cantusNotes >>
\context Lyrics =
cantusLyrics \lyricsto cantusNotes { \cantusLyrics }
\context Voice =
altusNotes << \global \altusNotes >>
\context Lyrics =
altusLyrics \lyricsto altusNotes { \altusLyrics }
\context Voice =
tenorNotes << \global \tenorNotes >>
\context Lyrics =
tenorLyrics \lyricsto tenorNotes { \tenorLyrics }
\context Voice =
bassusNotes << \global \bassusNotes >>
>>
\context Lyrics =
bassusLyrics \lyricsto bassusNotes { \bassusLyrics }
>>
\layout {
indent = 4.0 \cm
\context {
\Score
\override BarLine #'transparent = ##t
}
\context {
\Voice
\override Slur #'transparent = ##t
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 48 2)
}
}
}
}
signature.asc
Description: OpenPGP digital signature