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From: | Daniel Rosen |
Subject: | RE: Newbie problem in my first or second score |
Date: | Mon, 21 Apr 2014 21:39:15 +0000 |
That was
an accepted notational practice at the time for appoggiaturas. There’s a pretty interesting discussion of this in the
New Grove Dictionary of Music and Musicians article on “Ornaments,” ยง 9.i. DR From: Steve Lane [mailto:address@hidden
Thanks, David and Federico — easy fix! All layout engines have their architectural weak spots, so that 's no surprise I guess. I guess the rendering of that first sixteenth as a grace note in this piece is somewhat arbitrary anyway, since the first measure is always playes simply as four sixteenths.
Doubtless some historical reason. Thanks again, SGL From:
David Nalesnik <address@hidden> Hi Steve,
On Mon, Apr 21, 2014 at 7:02 AM, Steve Lane <address@hidden> wrote: Hello all: So I am trying to lay out the first bars of Mozart's Sonata K 333. The first measure is a partial measure. No matter what I try so far, I'm getting an extra time and
key signature in the bass clef, in addition to the bass clef first displaying as treble, then adding a bass clef in: The code is as follows (I didn't see how to make it tinier): \version "2.18.2" \include "english.ly" keyTime = { \key bf \major \time 4/4 } upper = \relative c''' { \partial 4 \grace g16 f8 ef16 d | } lower = { \partial 4 r4 | } \score { \new PianoStaff << \new Staff = "upper" { \clef "treble" \keyTime \upper } \new Staff = "lower" { \clef "bass" \keyTime \lower } >> } Any help appreciated :-) Welcome to LilyPond! Sorry you had to discover so quickly perhaps the most persistent bug in the program. It's easily fixed, though: add a corresponding grace spacer to the other part at the same point. \partial 4 \grace s16 r4 --David |
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