Re: Extracting voices from score with rehearsalnumbers, repeats, etc.?

[Martin Lejeune]

Dear Abraham, 

thank you very much for your help. 

I added a few single stave instruments without any problems. 

1.) I would also like to add a pianostaff with upper and lower voice in each hand.

After a lot of syntax errors I need some help.

2.) Where and how should I put the StaffGroup to get barlines through all staves?

Sorry for these simple newbie questions, but I have to finish my score until tomorrow night.

Best regards and thanks in advance

Martin

example:

\version "2.18.2"

% put all marks and barlines here

global = {

  \time 4/4

  \key g \major

 \mark \markup \box\bold  "1"

 \repeat volta 8 { s1*4} 

  \alternative {

    {  s1*4 }

    { s1*4 } 

  }\bar "||"

  \mark \markup \box\bold  "17"

  s1*8

  \mark \markup \box\bold  "25"

  s1*8 

   \mark \markup \box\bold  "33"

   s1*8

    \mark \markup \box\bold  "41"

    s1*8

     \mark \markup \box\bold  "49"

\bar "||"

    s1*8

   \bar "|."

  }

  % etc.

%AltoSax

altoSax = \relative c' {

  \clef treble

  g'1

}

% Trombone

trombone = 

\relative c' { \clef bass

   g1

}

% guitar

guitar = \relative c {

  \clef  "treble_8"

  

 g1

}

%%%    piano with upper and lower voice for left and right hand? %%%

  

% put them in parallel with the instrument voice here

altoSax = \new Staff << \global \altoSax >>

trombone = \new Staff << \global \trombone >>

guitar = \new Staff << \global \guitar >>

%piano = ?

% full score in concert pitch

\score {

  

  <<

    \altoSax

  \trombone

  \guitar

  >>

  \layout {}

}

% part score in transposed pitch

\score {

  { \transpose ees c \altoSax }

  \layout {}

}

On 04.09.2015, at 19:12, tisimst wrote:

Martin,

On 9/4/2015 10:11 AM, Martin [via Lilypond] wrote:

Hi List,

I try to extract single voices from my written score.

Copying all related informations like rehearsal letters (boxed barnumbers), repeats, etc.  is very boring. 

All these informations are written into one part (bass) and of course all other voices are without this marks.

Is there any syntax to define it into the \global part of the score?

Absolutely! I do this all the time. I put the rehearsal marks/non-default barlines/etc. among spacer rests. then put the \global in parallel with the voices in each staff since they are collected at \Score level. This allows you to use it in the full score and individual parts, too. This also simplifies things like applying transpositions to individual parts while having everything in concert pitch in the full score.

Here's a dummy example that should show you at least what I'm talking about:

%%%%%%%%%%%%%

% put all marks and barlines here
global = {
  \time 3/4
  \key d \major
  s2.*5
  \mark \default
  s2.*10 \bar "||"
  \mark \default
  s2.*8 \bar "|."
  % etc.
}

altoSax = \relative c' {
  \clef treble
  R2.*5
  R2.*10
  R2.*8
}

% put them in parallel with the instrument voice here
altoSax = \new Staff << \global \altoSax >>

% full score in concert pitch
\score {
  <<
    \altoSax
  >>
  \layout {}
}

% part score in transposed pitch
\score {
  { \transpose bes c \altoSax }
  \layout {}
}

%%%%%%%%%%%%%

There are lots of ways to customize this work-flow to meet your needs, but hopefully this gives you a good starting place.

HTH,
Abraham
 

---

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