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Re: Poor man's ossia, continued
From: |
Jacques Menu |
Subject: |
Re: Poor man's ossia, continued |
Date: |
Tue, 15 Sep 2015 17:46:16 +0200 |
Hello Malte,
Thanks for you answer.
> Le 15 sept. 2015 à 12:26, Malte Meyn <address@hidden> a écrit :
>
>
>
> Am 15.09.2015 um 10:26 schrieb Menu Jacques:
>> Hello folks,
>>
>> Trying to define a function using the solution provided by this list, I bump
>> into the following:
>> - I have to use \relative before \poorMansOssia, otherwise the music in the
>> "ossia" is taken into account to determine the following note’s octave;
> That’s how relative works: Lily doesn’t automatically start a new “relative
> block” for new voices. IMO that’s good because it’s easier to find out the
> pitch of the last entered note than that one of the last note in the current
> voice.
OK.
>> - there’s a missing bar in the first staff, can’t find where to put the « |
>> » to
>> get it;
> No, there isn’t. There are only notes for two bars. Did you mean a bar
> *line*? Then | won’t set a bar line but complain when you place it somewhere
> and there shouldn’t be a bar line. You might want to use one of the \bar (for
> a line in mid-measure) or \partial (for a shorter measure) commands or
> override measureLength or measurePosition (dito).
Ooops, really getting old… thought there were two bars where there’s only one!
>> - the "ossia" in the second staff is offset to the right, while it isn’t in
>> the
>> first one.
> This happens because the NoteHeads are aligned, even when they are hidden.
> You can try to override the NoteHead’s stem-attachment or the Stem’s and
> Beam’s extra-offset but I don’t know how to find the exact values.
Fine, I’ll look into that.
JM.
>
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