Re: Chords and what they mean

[Blöchl Bernhard]

With Cm^sus4 for <c es f g> I have some problems. 4 of cm is f - is it? 
But it is not suspended but f is added for the suspended f? Does that 
make sense?

<c es f g> I would call (always depending on the context) Cmadd4, 
F7sus2/C, D#6no5add2/C.

But C^sus4♭3 <for <c es f g>  is not necessarily wrong (in my oppinion), 
as 3 (=e) is suspended and set f instead. b3 will be added -> b3 = es.

Always consider the harmonic context!!!


Am 17.09.2015 21:24, schrieb Malte Meyn:
> Am 17.09.2015 um 20:17 schrieb Noeck:

> I’ve seen that once in Cm^sus4 for <c es f g> but it doesn’t make
> sense to me; I would prefer Cm^add4 (or perhaps Cm^add11). LilyPond
> prints <c es f g> as C^sus4♭3.
>
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