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Re: Chords and what they mean
From: |
Thomas Morley |
Subject: |
Re: Chords and what they mean |
Date: |
Sat, 19 Sep 2015 01:39:53 +0200 |
2015-09-19 1:05 GMT+02:00 <address@hidden>:
> On 2015-09-19 00:13, David Kastrup wrote:
>>
>> Noeck <address@hidden> writes:
>>
>>> Having different *input* syntax for different people according to their
>>> taste is more complicated and it's doubtable that this is a good aim for
>>> LilyPond. Exchanging code gets more complicated and small snippets are
>>> not necessarily self-consistent. You always would have to specify the
>>> definitions. One example where it is possible is the input language of
>>> notes (e.g. \language english): In my German (\language deutsch) code <c
>>> e g b> is a C7 chord not a Cmaj7. For note names I like that.
>>> What I am trying to say: Adjustable input syntax also makes life more
>>> complicated in other circumstances.
>>
>> \language is usually a closed set, so editors like Frescobaldi can be
>> taught to convert from one to another. Conversions of freely
>> user-defined syntaxes is something entirely else, though.
>>
> My imagination of the procedure is, as I wrote before, not to change
> anything internal of LilyPond, but to use some kind of pre processor. This
> should, by means of a translation table, take my input and translate it into
> LP code. So when I write c:sus this will be changed to e.g. c:sus4 (or
> perhaps c:1.4.5) before it is dealt with by LP, and when I write c:5 it is
> translated into c:1.5.
>
> However because of the discussion which has followed my question, I begin to
> believe that the answer is no. Such a pre processor does not exist today.
> /Kaj
Such a preprocessor does not exist yet.
Ofc someone could write a script to transform your input _before_
LilyPond will see it, but why?
Instead I tackled 'construct-chord-elements' from chord-entry.scm to
do what you want.
Making equivalent:
\transpose c cis'
\chordmode {
\powerChords
c:sus
c:5
c:5-
c:5+
}
\transpose c cis'
\chordmode {
\powerChords
c:sus4
c^3
c:5-
c:5+
}
png attached
Limitation:
c:sus will not accept any additional argument after sus, c:7sus will
work, though.
I tried to make it available from inside a user-file, juggling around
module-this-and-that. It needs to be known in lily-imports.cc. But
without success.
Honestly, even if possible, it's beyond my skills.
Thus, you have to put it in chord-entry.scm. Best for now: rename the
current 'construct-chord-elements' to something else and paste the
attached code in there then.
Please note, it's not really tested.
Actually my OS is heavily broken, likely I'll need to do a complete
new set up, which I will not tackle before having done a thorough
back-up.
But up to now I have not found the time to buy a backup-disk ...
More, I'm not able to use git sufficiently atm, thus, if someone wants
to turn the code into a patch, please do.
HTH,
Harm
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- Re: Chords and what they mean, (continued)
- Re: Chords and what they mean, Thomas Morley, 2015/09/18
- Re: Chords and what they mean, Blöchl Bernhard, 2015/09/18
- Re: Chords and what they mean, Kieren MacMillan, 2015/09/18
- Re: Chords and what they mean, David Kastrup, 2015/09/18
- Re: Chords and what they mean, Vaughan McAlley, 2015/09/18
- Re: Chords and what they mean, Noeck, 2015/09/18
- Re: Chords and what they mean, David Kastrup, 2015/09/18
- Re: Chords and what they mean, 70147persson, 2015/09/18
- Re: Chords and what they mean,
Thomas Morley <=
- Re: Chords and what they mean, Thomas Morley, 2015/09/18
- Re: Chords and what they mean, Johan Vromans, 2015/09/19
- Re: Re: Chords and what they mean, 70147persson, 2015/09/19
- Re: Re: Chords and what they mean, Blöchl Bernhard, 2015/09/20
- Re: Chords and what they mean, David Kastrup, 2015/09/20
- Re: Chords and what they mean, Johan Vromans, 2015/09/20
- Re: Chords and what they mean, David Kastrup, 2015/09/20
- Re: Chords and what they mean, Johan Vromans, 2015/09/20
- Re: Chords and what they mean, David Kastrup, 2015/09/20
- Re: Chords and what they mean, BB, 2015/09/20