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Re: Note tails to be written both up and down
From: |
Leo Correia de Verdier |
Subject: |
Re: Note tails to be written both up and down |
Date: |
Mon, 23 Nov 2020 15:44:25 +0100 |
That happened because the construct I used to create simultaneous voices <<
*music* \\ *music* >> creates new voices for all the *music* expressions in it,
while the lyrics are still tied to the voice they were added to in the
beginning. While it is possible to write it like
%%%%%%%%%%%
\new RhythmicStaff {
{ \time 12/8
\set Timing.beatStructure = #'(2 1 1 2 2 2 1 1)
4
8 \stemDown 8
\stemUp 4
\stemDown 4
<< \stemUp 4 \new Voice { \stemDown 4 } >>
8 \stemDown 8 \bar "|."
}
\addlyrics {Düüm Te Ke Düüm Tâ Heek Te Ke}
}
%%%%%%%%%%%
I don’t think this is what you want in the long run. This example does not use
the \\ construct, that creates new voices for each of the parallel expressions
inside the angle brackets, but lets the first one stay in the original voice
and explicitly creates a new voice for the second. If you can tell us a bit
more about the practical use and meaning of the example and what kind of notes
it should be able to handle I think we (as in the people on this mailing list)
can help you with a more practical solution.
> 23 nov. 2020 kl. 13:48 skrev Emre PINARBAŞI <pardusemre@gmail.com>:
>
> I did, but in the lyrics, the syllable "Heek" started shifting to note when
> it should have come under the note I just made. How can I deal with this
> problem?
>
> \new RhythmicStaff {
> { \numericTimeSignature
> \time 12/8
> \set Timing.beatStructure = #'(2 1 1 2 2 2 1 1)
> 4 8 \override Stem.direction = #DOWN 8 \override Stem.direction = #UP 4
> \override Stem.direction = #DOWN 4 \override Stem.direction = #UP << 4 \\ 4
> >> \override Stem.direction = #UP 8 \override Stem.direction = #DOWN 8 \bar
> "|."
> }
> \addlyrics {Düüm Te Ke Düüm Tâ Heek Te Ke}
> }
>
> Leo Correia de Verdier <leo.correia.de.verdier@gmail.com>, 23 Kas 2020 Pzt,
> 13:14 tarihinde şunu yazdı:
> Do you mean like this:
> %%%%%%%%%%%
> \version "2.20.0"
> \new RhythmicStaff {
> << { 8 } \\ { 8 } >>
> }
> %%%%%%%%%%%
>
> If so, to the program it is two eights in different voices, you can read more
> about it here:
> https://lilypond.org/doc/v2.20/Documentation/learning/i_0027m-hearing-voices
>
> If you want the whole part or a longer stretch to be written like that you
> could just write it in a single variable and give the same to both voices.
>
> If you’re writing two percussion instruments on the same staff you might want
> to write them separately and combine them with \partcombine
>
> HTH
> /Leo
>
> > 23 nov. 2020 kl. 09:09 skrev Emre PINARBAŞI <pardusemre@gmail.com>:
> >
> > There is a situation I cannot do in the Lilypond program. When I write
> > Rythm staff on the single line staff, I want the note tails to be written
> > both up and down . How can I give this command?
>